{"title":"EarthQuaker Devices","description":"","products":[{"product_id":"earthquaker-devices-hizumitas-fuzz-sustainar","title":"EarthQuaker Devices Hizumitas Fuzz Sustainar Fuzz Pedal","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Hizumitas was designed for the one and only guitar sorceress, Wata, from the legendary band, Boris! We could not be more excited to have the honor of working with such an iconic legend known for her crushing riffs and mind-melting leads. The Hizumitas is a faithful sonic recreation of her go-to distortion which has been a staple of her tone for many years: the Elk BM Sustainar.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan\u003eThe Elk Sustainar is a Japanese variant of the more well-known “Triangle” BMP. During development, we used several vintage models of the BMP, as well as a few different versions of the Elk, and quickly realized all of them were wildly different. The only way we were going to truly capture the magic was to get our hands on her original pedal. Wata was kind enough to send her beloved pedal halfway across the world so we could see what made it tick. Right away, we realized it had something special that none of the others had - heavy saturation with a gritty edge and a massive bottom while still maintaining a clear and dynamic tone with enough mids and top end to cut through the sludge. We set out to faithfully recreate all these characteristics in the Hizumitas!\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan\u003eThe Hizumitas has loads of heavy distortion and smooth sustain with an underlying grit to it that sounds like the speakers are on the verge of ripping apart, all while still delivering amazing clarity that you wouldn’t expect from something this aggressive sounding. The \u003cstrong\u003eSustain\u003c\/strong\u003e control has a wide range of saturation, even small changes will have a great effect on the overall tone. The Hizumitas has excellent response to different pickup types and playing dynamics. Power chords sound huge and heavy, open chords are dynamic with fantastic note separation, and single-note leads are smooth and powerful, especially when using the neck pickup.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan\u003eThe \u003cstrong\u003eTone\u003c\/strong\u003e control is atypical for this type of distortion and can drastically change the distortion’s character in conjunction with the Sustain setting. Bass frequencies are boosted clockwise while treble frequencies are boosted when turned counterclockwise. The treble side can go from piercing highs to an aggressive mid-range grind. As the Tone is turned clockwise, the mids become less present, highs are tamed, and a massive, thundering low-end comes to the forefront.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan\u003eAs you might expect, there is plenty of output gain on tap, so be careful. Unity is around 9-10 o’clock and everything above that is set to destroy.\u003c\/span\u003e\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Standard","offer_id":43138202632445,"sku":"810019911873","price":239.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdhizuv1usa-bi-01.289.jpg?v=1768501464"},{"product_id":"earthquaker-devices-acapulco-gold-v2-power-amp-distortion","title":"EarthQuaker Devices Acapulco Gold V2 Power Amp Distortion","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSince tone is in the hands, we decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That’s it. The rest is at your fingertips. Want less gain? Turn down your guitar’s volume knob. Need a darker rhythm tone? Roll back your guitar’s tone control. Easy, right?\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eBig Knob: \u003c\/strong\u003eThe big knob sets the output level, sometimes known as Volume. \u003cstrong\u003ePLEASE BE CAREFUL\u003c\/strong\u003e, the Acapulco Gold is extremely loud!\u003c\/p\u003e\u003cbr\u003e\u003cul data-rte-list=\"default\"\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eWith your guitar’s volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eHow about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43138206040317,"sku":"858933004745","price":189.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdag-bi-01.16.jpg?v=1768501422"},{"product_id":"earthquaker-devices-afterneath-v3-enhanced-otherworldly-reverberator","title":"EarthQuaker Devices Afterneath V3 Enhanced Otherworldly Reverberator","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Afterneath sounds a lot like it looks – a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed!\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOnce inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.\u003cbr\u003e\u003c\/p\u003e\u003cp class=\"\"\u003eTake a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal…\u003c\/p\u003e\u003cp class=\"\"\u003eWill you cast “Length,” which controls the decay length of the reverb?\u003c\/p\u003e\u003cp class=\"\"\u003eWhat about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counterclockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.\u003c\/p\u003e\u003cp class=\"\"\u003eOverwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counterclockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!\u003c\/p\u003e\u003cp class=\"\"\u003e\u003cspan\u003eElsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counterclockwise, and the delay lines will begin to pull apart for a scattered ping-pong delay effect. \u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"\"\u003eThe Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt\/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves \u0026amp; fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.\u003c\/p\u003e\u003cp class=\"\"\u003eThe “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counterclockwise for less.\u003c\/p\u003e\u003cp class=\"\"\u003eFinally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43139445457149,"sku":"810019911729","price":299.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdaftev3usa-bi-01.110.jpg?v=1768501532"},{"product_id":"earthquaker-devices-aqueduct-vibrato","title":"EarthQuaker Devices Aqueduct Vibrato","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAqueduct® is a vintage-inspired pitch vibrato with eight modulation modes delivering synth-like sonar pulses, touch-sensitive frequency modulation, gentle rolling pitch-wobbles, steady kosmische pulsations, rapid trills, slimy sonic squiggles, whammy bar wiggles, pitch bends, pseudo-flange, and anything else your pitch-warped brain can picture in your murky mind’s eye.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eMODES\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1533237455668_266072\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSine:\u003c\/strong\u003e The smoothest and most subtle of all waveforms, sine waves are most commonly associated with classic amp-like vibrato. Plug in, turn on, and commence the Chooglin’.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTriangle: \u003c\/strong\u003eTriangle waves have a sharper rise and fall than sine waves with a more pronounced pitch bend at the peak of each LFO cycle.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRamp:\u003c\/strong\u003e Like a triangle wave with a twist. The Ramp waveform has a sharp sonar pulse followed by a rapid downward slope with a synthesizer-like sustain and release. This is where things start to get a little weird.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSquare:\u003c\/strong\u003e Square waves are the most rigid and abrupt of the waveforms. Rather than gliding smoothly between pitches, square waves produce an instant on-or-off transition between notes. Use this mode for trills when you get tired of doing hammer-ons and pull-offs.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRandom: \u003c\/strong\u003eThis waveform isn’t a waveform at all as much as it’s a drunken master of modulation who slurs your notes into an unpredictable assortment of greasy pitch-bends before disappearing at last call and leaving you stuck with the tab. It has a “warped record” effect at low Depth settings and becomes sloppier and more randomized as you increase the Depth control.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eEnv D:\u003c\/strong\u003e This is Envelope-Controlled Depth mode. The waveshape is set to a sine wave, the speed of which may be adjusted using the Rate control. The Depth control sets the sensitivity of the envelope - the point at which the effect kicks in as you play. In this mode, your pick attack sets the intensity of the modulation. The harder you dig in, the more pronounced the effect. Try it during your next motorik jam.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eEnv R:\u003c\/strong\u003e This is Envelope-Controlled Rate mode. In this mode, the input level (i.e. pick attack) controls the LFO rate. The LFO uses a sine waveshape. Play harder for faster modulation or lay low for slower modulation speeds. The Rate control adjusts the sensitivity of the envelope. Depth selects the LFO intensity.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eEnv P: \u003c\/strong\u003eThis is Envelope-Controlled Pitch mode, which we’ve lovingly nicknamed “The My Bloody Valentine setting.” If your instrument doesn’t have a tremolo bar, it does now. In this mode, the LFO is set to a sine waveshape, and frequency modulation is controlled by the dynamics of your pick attack and not the LFO. Do yourself a favor and try this one with Flexi-Switching™.\u003c\/p\u003e\n\u003cbr\u003e\u003cul data-rte-list=\"default\"\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eDepth sets the wet\/dry mix. This is the only mode that contains a wet\/dry mix and may be set to taste to create touch-sensitive dynamic vibrato, chorus, flanger, or tactile pitch drops. Full counterclockwise is all dry, full clockwise is all wet. With this control set to noon you will get a 50\/50 mix with a small amount of phase cancellation.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eRate sets the sensitivity and overall range of the pitch bend.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43139448832253,"sku":"855755007343","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdaqueduct-bi-01.16.jpg?v=1768501480"},{"product_id":"earthquaker-devices-arpanoid-v2-polyphonic-pitch-arpeggiator","title":"EarthQuaker Devices Arpanoid V2 Polyphonic Pitch Arpeggiator","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHi buddies, welcome to the first dedicated compact polyphonic pitch arpeggiator effect pedal for electrical guitar! What does the Arpanoid do? The Arpanoid takes whatever you play and transforms it into an adjustable ascending or descending scale. It features 8 intuitive and expandable modes and will work on complex chords as well as single notes in any key. The Arpanoid has an all analog dry signal, all digital wet signal and true bypass switching. Like all EarthQuaker Devices pedals, this dude is handmade one at a time in sunny Akron Ohio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1548953414878_144689\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRate:\u003c\/strong\u003e Adjusts the speed of the sequence.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eUp\/Up-Down\/Down Toggle:\u003c\/strong\u003e Switch to control the direction of the sequence. All the way left is up, the sequence will continually repeat going up. In the middle is up\/down, the sequence will continually repeat going up then back down. All the way right is down, the signal will continually repeat going down.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eStep:\u003c\/strong\u003e Selects how many notes there are in the sequence.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eWet:\u003c\/strong\u003e Level control for the effect signal. Unity is around noon.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1548953414878_150070\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMode:\u003c\/strong\u003e 8-position selector switch to choose the octave and key:\u003c\/p\u003e\n\u003col data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMajor: -1 octave to root.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMajor: root to +1 octave.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMajor: -1 octave through +1\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMajor: Random pattern\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMinor: -1 octave to root.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMinor: root to +1 octave.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMinor: -1 octave through +1\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMinor: Random pattern\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDry:\u003c\/strong\u003e Level control for the dry signal. Unity is around noon.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43139450306813,"sku":"855755007121","price":339.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/arpanoid-bi-01.21.jpg?v=1768501444"},{"product_id":"earthquaker-devices-arrows-v2-preamp-booster","title":"EarthQuaker Devices Arrows V2 Preamp Booster","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe Arrows is an all-discrete tone sculpting preamp booster. It was designed with the intention of adding an additional channel of gain to all your dirt pedals as well as brightening up neck pickups. It boosts midrange, tightens up the low end and makes the top end shine while adding some push to drive your dirt into blooming sustain with excellent harmonics. Its simple interface is no nonsense; a single control that will either boost or cut your signal. Use the Arrows to remove the muck from bass heavy fuzz pedals, push light overdrives into higher gains than you thought possible or even on its own to make your signal really pop with more pizazz. All analog, true bypass and handmade one at a time in the weird pit of Akron, Ohio.\u003c\/span\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43139452797181,"sku":"855755007176","price":159.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/arrows-bi-01.21.jpg?v=1768501441"},{"product_id":"earthquaker-devices-astral-destiny-octal-octave-reverberation-odyssey","title":"EarthQuaker Devices Astral Destiny Octal Octave Reverberation Odyssey","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Astral Destiny is a compact and powerful modulated octave reverb pedal that features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eREVERB MODES\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eAbyss:\u003c\/strong\u003e Huge reverb with no octave effect\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eShimmer:\u003c\/strong\u003e Adds an upper octave to the reverb tail\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSub: \u003c\/strong\u003eAdds a lower octave to the reverb tail\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSub Shimmer:\u003c\/strong\u003e Adds an upper and lower octave to the reverb tail\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eAstral:\u003c\/strong\u003e Adds an upper and lower octave combined with a regenerating tail\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eAscend:\u003c\/strong\u003e Upward pitch bending\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDescend:\u003c\/strong\u003e Downward pitch bending\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eCosmos:\u003c\/strong\u003e Adds a regenerating fifth to the reverb tail\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-43567822149602b08bfa\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003ePreset:\u003c\/strong\u003e 8-position rotary switch to recall presets. Astral Destiny ships with 8 presets which can be edited or overwritten.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLength:\u003c\/strong\u003e Controls the length of the reverb decay.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eMode:\u003c\/strong\u003e 8 position rotary switch to select the reverb mode.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003eAdjusts the intensity of the chorus effect.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRate: \u003c\/strong\u003eAdjusts the rate of the chorus effect.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-0e11eea1049ab7c1263f\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Boosts treble clockwise, cuts treble counterclockwise. Center is a flat frequency response.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eMix: \u003c\/strong\u003eLevel control for the reverb effect.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eActivate Footswitch: \u003c\/strong\u003eYou are probably gonna need this to activate and deactivate the reverb effect.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eStretch Footswitch:\u003c\/strong\u003e Doubles the length of the reverb effect while adding a temporary change in pitch.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003ePRESETS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eThe Astral Destiny operates between two different modes: Live or Preset. It comes with 8 factory presets, 1 for each reverb mode, that can be edited or completely overwritten for your enjoyment. The settings for \u003cstrong\u003eLength\u003c\/strong\u003e, \u003cstrong\u003eDepth\u003c\/strong\u003e, \u003cstrong\u003eRate\u003c\/strong\u003e, \u003cstrong\u003eTone\u003c\/strong\u003e, \u003cstrong\u003eMix\u003c\/strong\u003e as well as \u003cstrong\u003eEXP\u003c\/strong\u003e assignment and \u003cstrong\u003eStretch\u003c\/strong\u003e length can all be stored and recalled. Any of the Astral Destiny’s 8 reverb modes can be used as the basis for each of the 8 presets.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLive Mode \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eThis is the standard mode of operation that the Astral Destiny ships in and is indicated by a Green or Red Activate LED depending on the bypass state. Astral Destiny will operate manually in this mode and all controls will visually indicate the current settings.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003ePreset Mode \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eThis puts the Astral Destiny into one of the 8 presets selected by the Preset rotary switch. This mode is indicated by a Yellow Activate LED. The panel controls will no longer operate as visually set and instead, the Astral Destiny will use the stored control settings for each selected preset position. If a control change is made while in Preset Mode, the Activate LED will begin to flash. You can easily save this change by holding down both footswitches until both LED’s flash 4 times indicating that the change has been saved.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43139456860413,"sku":"810019911446","price":339.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdastdv1usa-bi-01.187.jpg?v=1768501530"},{"product_id":"earthquaker-devices-westwood-translucent-drive-manipulator","title":"EarthQuaker Devices Westwood Translucent Drive Manipulator Overdrive","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWestwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee.\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood’s Level control has enough output on tap to alert the proper authorities. Even the FBI.\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEach and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there’s always music in the air, and the birds sing a pretty song.\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548169712808_89811\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Adjusts Westwood’s output level. Clockwise is loud, counterclockwise is quiet.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDrive:\u003c\/strong\u003e Adjusts the amount of overdrive. Clockwise is dirty, counterclockwise is clean.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548169712808_117398\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBass:\u003c\/strong\u003e Selects amount of low frequencies around 80Hz. Clockwise to boost, counterclockwise to cut.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTreble:\u003c\/strong\u003e Selects amount of high frequencies around 2kHz. Clockwise to boost, counterclockwise to cut.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169676886269,"sku":"855755007275","price":239.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdwest-bi-01.16.jpg?v=1768501493"},{"product_id":"earthquaker-devices-the-warden-v2-optical-compressor","title":"EarthQuaker Devices Warden V2 Optical Compressor","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHey boss, thanks for taking a visit from The Warden! The Warden is an optical compressor with a feature set usually reserved for studio grade units. Built with high grade components and internally powered by 18v, The Warden has loads of gain and sustain on tap. With complete control over attack, release, sustain and ratio, The Warden will allow everything from a heavy squash with fast attack and release to “barely there” subtle compression. Optical compression has a reputation for having more character than a VCA or FET-based compression and The Warden is no exception.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554833316081_128114\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTone: \u003c\/strong\u003eThis pedal was designed to slightly color your tone, and the coloration can be dialed-in to your taste. Counterclockwise is treble cut, clockwise is treble boost. The tone is nearly flat around 11 o’clock.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eAttack: \u003c\/strong\u003eThis controls how quickly the compressor reacts and starts leveling the signal. All the way counterclockwise is a fast, nearly immediate reaction. Turning the attack clockwise slows the reaction time.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRelease:\u003c\/strong\u003e This controls how long it takes the signal to raise back up to the level determined by the \u003cstrong\u003eSustain\u003c\/strong\u003e and \u003cstrong\u003eRatio\u003c\/strong\u003e settings. All the way counterclockwise is a fast release and the release time slows as you turn it clockwise.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554833316081_133663\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLevel: \u003c\/strong\u003eThis controls the overall output and is affected by the \u003cstrong\u003eSustain\u003c\/strong\u003e and \u003cstrong\u003eRatio\u003c\/strong\u003e settings. There is no specific unity setting; adjust to taste when you find your perfect compression setting.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRatio:\u003c\/strong\u003e This determines how much the gain reduction affects the signal. All the way up is full compression and the compression is reduced as you turn this counterclockwise which allows more of the boosted, less-compressed signal to come through. There are no defined ratios here.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSustain: \u003c\/strong\u003eThis is the heart of The Warden. It controls how hot the signal is, which changes the dynamics of the compression. The Warden is a feedback-style compressor; the hotter the signal, the more active the compression. Very little \u003cstrong\u003eSustain\u003c\/strong\u003e= very little compression, less active \u003cstrong\u003eAttack \u003c\/strong\u003eand \u003cstrong\u003eRelease\u003c\/strong\u003e and a cooler signal. Max \u003cstrong\u003eSustain\u003c\/strong\u003e= heavy compression, longer sustain, hotter signal and more lively \u003cstrong\u003eAttack\u003c\/strong\u003e and \u003cstrong\u003eRelease\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169680916733,"sku":"855755007145","price":269.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/thewardencomp-bi-01.16.jpg?v=1768501524"},{"product_id":"earthquaker-devices-tone-job-v2-eq-boost","title":"EarthQuaker Devices Tone Job V2 EQ \u0026 Boost","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThis compact Boost \u0026amp; EQ device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard, no matter what instrument you play.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSo what does that mean, exactly? It means that you’ll hear full frequency response from your Tone Job everywhere you plug it in – guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo, or wherever!\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Tone Job has active EQ controls for \u003cstrong data-mce-fragment=\"1\"\u003eBass\u003c\/strong\u003e, \u003cstrong data-mce-fragment=\"1\"\u003eMid\u003c\/strong\u003e and \u003cstrong data-mce-fragment=\"1\"\u003eTreble\u003c\/strong\u003e, with up to 20 dB of cut or boost, which is handy for pairing up with other pedals in your chain to breathe new life into old dirt. Unlike boring old graphic EQs, the Tone Job’s EQ controls are interactive, so you can experiment with different settings to alter the response and overall feel of the device, getting your tone out of the lunchroom and back on the clock.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cspan\u003ePlace the Tone Job at the beginning of your chain to alter the overall character of your guitar, or use it at the end to boost output at the end of a long cable run and fine-tune your tone. The \u003c\/span\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003cspan\u003e control on the Tone Job can boost your signal up to 5x the original input level, so you’ll always be heard, and makes for a fantastic solo and\/or clean boost!\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"row sqs-row\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554831187482_83300\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLevel: \u003c\/strong\u003ePost EQ volume control. Can boost the signal up to 5x the input. Unity is around 10 o’clock.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTreble: \u003c\/strong\u003eThe center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the treble and all settings below cut treble.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554831187482_86222\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eBass: \u003c\/strong\u003eThe center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the bass and all settings below cut bass.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eMiddle:\u003c\/strong\u003e The center position is flat and marked with a center detent in the potentiometer. All settings above this point boost the middle and all settings below cut middle.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169687240957,"sku":"855755007008","price":219.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/tonejobboost-bi-01.16.jpg?v=1768501408"},{"product_id":"earthquaker-devices-tentacle-v2-analog-octave-up","title":"EarthQuaker Devices Tentacle V2 Analog Octave Up","description":"\u003cspan data-mce-fragment=\"1\"\u003eThe Tentacle is a classic analog octave up effect. It is the very same octave from our beloved Hoof Reaper pedal. We got so many requests to make this a stand-alone unit that we just had to make it a reality. You can now add an excellent, swelling octave up to anything your heart desires! Pair it with your favorite fuzz, strap on a headband and unleash your inner Jammy Hendrix. Put it in front of another octave up and blow your amps mind. Throw it in the effects loop of a delay and marvel at what happens (then tell us, we’d like to know too). What’s better? It has no controls! Nothing to worry about at all here, just hit the switch and go for it. The Tentacle is an analog octave up, the effect will become much more pronounced when using your neck pickup and playing above the 12th fret.\u003c\/span\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169691173117,"sku":"855755007268","price":179.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdtent-bi-01.16.jpg?v=1768501481"},{"product_id":"earthquaker-devices-bit-commander-v2-analog-octave-synth","title":"EarthQuaker Devices Bit Commander V2 Analog Octave Synth","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of olde tyme synths.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548784722773_62680\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Master volume\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eFilter: \u003c\/strong\u003eTone control more highs clockwise, more warmth counterclockwise\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eBase: \u003c\/strong\u003eSquared input signal level\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548784722773_66170\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSub:\u003c\/strong\u003e Two octaves down level\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDown 1:\u003c\/strong\u003e One octave down level\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eUp 1:\u003c\/strong\u003e One octave up level\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169696186621,"sku":"858933004851","price":269.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/bitcommander-bi-01.21.jpg?v=1768501568"},{"product_id":"earthquaker-devices-data-corrupter","title":"EarthQuaker Devices Data Corrupter Modulated Monophonic Harmonizing PLL","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator! From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003eMaster Oscillator \u003c\/strong\u003eis the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. The three-position switch on the \u003cstrong\u003eMaster Oscillator\u003c\/strong\u003e control panel labeled \u003cstrong\u003eRoot\u003c\/strong\u003e feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the \u003cstrong\u003eMaster Oscillator’s Root Switch\u003c\/strong\u003e to fine tune the Data Corrupter’s tracking response for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and\/or interval of which may be selected via the \u003cstrong\u003eMaster Oscillator’s\u003c\/strong\u003e eight-position rotary switch.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003eVoice Mixer’s Oscillator Control \u003c\/strong\u003eadjusts the \u003cstrong\u003eMaster Oscillator\u003c\/strong\u003e blend.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003eFrequency Modulator\u003c\/strong\u003e applies pitch-bend modulation to the \u003cstrong\u003eMaster Oscillator\u003c\/strong\u003e. In \u003cstrong\u003eGlide\u003c\/strong\u003e mode, you’ll hear a smooth portamento as each note slides into the next. In \u003cstrong\u003eVibrato\u003c\/strong\u003e mode the pitch modulates up and down for a retro sci-fi laser effect.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003eSubharmonic \u003c\/strong\u003eassimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the \u003cstrong\u003eSubharmonic’s Root Switch\u003c\/strong\u003e to the \u003cstrong\u003eUnison\u003c\/strong\u003e position, which divides the Square Wave input signal, and removes the \u003cstrong\u003eFrequency Modulator\u003c\/strong\u003e from the \u003cstrong\u003eSubharmonic\u003c\/strong\u003e signal path.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eTo unleash the cracked machine lurking within the mainframe, set the \u003cstrong\u003eSubharmonic Root Switch\u003c\/strong\u003e to \u003cstrong\u003eOscillator\u003c\/strong\u003e and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the \u003cstrong\u003eMaster Oscillator\u003c\/strong\u003e and \u003cstrong\u003eSubharmonic\u003c\/strong\u003e with the \u003cstrong\u003eFrequency Modulator\u003c\/strong\u003e applied to the upper and lower octaves.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eIf you think you’re brave enough, set the \u003cstrong\u003eSubharmonic Root Switch\u003c\/strong\u003e to \u003cstrong\u003eOscillator\u003c\/strong\u003e and try experimenting with different \u003cstrong\u003eMaster Oscillator\u003c\/strong\u003e and \u003cstrong\u003eSubharmonic\u003c\/strong\u003e programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the \u003cstrong\u003eVoice Mixer’s Subharmonic Control\u003c\/strong\u003e to set the lower octave volume.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cspan\u003eFinally, (or is it?) the \u003c\/span\u003e\u003cstrong\u003eSquare \u003c\/strong\u003e\u003cspan\u003econtrol located top-left on the \u003c\/span\u003e\u003cstrong\u003eVoice Mixer\u003c\/strong\u003e\u003cspan\u003e blends in a fuzzed-out square-wave take of your input in its original octave. That’s it. These aren’t the droids we’re looking for. Move along.\u003c\/span\u003e\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169705623805,"sku":"855755007060","price":339.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_8fdf56d3-5b97-4b76-8471-6ee3cf362563.jpg?v=1768501574"},{"product_id":"earthquaker-devices-the-depths-v2","title":"EarthQuaker Devices Depths V2 Optical Vibe","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Depths is our take on the classic optical vibe circuit. Now you can swab the decks with the same lush, pulsating, three-dimensional swirling sound you know and love, with some modern accouterments for all you land-lubbers out there.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Depths is optimized for use with all kinds of instruments, pickups, and to play well with dirt, so nobody’s left waiting on shore. If it’s got a ¼” output, plug it in and get deep!\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548787572625_94874\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eIntensity:\u003c\/strong\u003e This controls how subtle or intense the overall effect is. Counterclockwise from noon are the more subtle, classic sounds. Clockwise from noon are the more drastic and intense sounds.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eVoice:\u003c\/strong\u003e Dials in the overall sound. Turn it clockwise for a fuller sound with more lows, bring it back for a thinner, more midrange focused tone.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRate: \u003c\/strong\u003eControls the speed of the effect. Counterclockwise for slow, clockwise for fast.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548787572625_99254\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Controls the volume of the effect. Unity is around 1 o’clock, everything above that is boost.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eThrob:\u003c\/strong\u003e This controls the low end pulse. It may not be immediately evident on the bridge pickup, but switch to the neck or add some dirt and it comes alive. All the way up for more throb, dial it back for less. Works best when the Voice is set to a warmer tone.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169709818109,"sku":"855755007190","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/thedepth-bi-01.16.jpg?v=1768501502"},{"product_id":"earthquaker-devices-dispatch-master-v3-digital-delay-reverb","title":"EarthQuaker Devices Dispatch Master V3 Digital Delay \u0026 Reverb","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Dispatch Master is a hi-fi digital Delay \u0026amp; Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe best-selling EarthQuaker Devices pedal just got bester [sic] with new Flexi-Switch® Technology! Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you’re finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1545845612579_116231\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTo Use Both Effects at the Same Time, Simply Adjust all Controls to Taste: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cul data-rte-list=\"default\"\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003eMix \u003c\/strong\u003econtrol is a wet\/dry blend that adjusts the overall level of the affected signal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTime \u003c\/strong\u003esets the delay time from 0ms to 1500ms (1.5 seconds).\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eReverb \u003c\/strong\u003econtrols the amount of reverb. Counterclockwise is less reverb, clockwise is more reverb.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRepeats \u003c\/strong\u003econtrols the regeneration of the delay signal. When the \u003cstrong\u003eRepeats\u003c\/strong\u003e control is set to maximum, you’ll get infinite repeats without runaway self-oscillation, which makes it great for creating drones, dialing in the ultimate post-rock guitar sound without feedback, or just having fun.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1545845612579_122551\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTo Use the Dispatch Master as a Delay Only:\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cul data-rte-list=\"default\"\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eTurn the \u003cstrong\u003eReverb\u003c\/strong\u003e control all the way down\u2028\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eAdjust the \u003cstrong\u003eTime\u003c\/strong\u003e, \u003cstrong\u003eRepeats\u003c\/strong\u003e, and \u003cstrong\u003eMix\u003c\/strong\u003e controls to taste\u2028\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTo Use the Dispatch Master as a Reverb Only:\u2028\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cul data-rte-list=\"default\"\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eTurn the \u003cstrong\u003eTime\u003c\/strong\u003e and \u003cstrong\u003eRepeats\u003c\/strong\u003e controls all the way down\u2028\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eAdjust the \u003cstrong\u003eReverb\u003c\/strong\u003e and \u003cstrong\u003eMix\u003c\/strong\u003e controls to taste\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTHIS IS IMPORTANT! \u003c\/strong\u003eIn Reverb-only mode, the \u003cstrong\u003eRepeats\u003c\/strong\u003e control has a secondary function. It can be used to adjust the decay, depth, and tonal quality of the reverb! Turn it up for more dynamics and a thicker tone.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169713717501,"sku":"855755007879","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/dispatchmaster-bi-01.16.jpg?v=1768501486"},{"product_id":"earthquaker-devices-ghost-echo-v3-vintage-voiced-reverb","title":"EarthQuaker Devices Ghost Echo V3 Vintage Voiced Reverb","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eYou hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog\/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you!\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003ePhew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet\/dry mix, but we like to think of it more as how scary the overall effect is.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003e*Not actually haunted. Or are they?\u003c\/em\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548792652272_88923\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eAttack: \u003c\/strong\u003eAdjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDwell:\u003c\/strong\u003e Adjusts the length of the decay. This will start to self oscillate around 3 O’clock, the pitch of the oscillations can be changed by turning the Attack control.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548792652272_91364\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169718075645,"sku":"858933004967","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/ghostecho-bi-01.16.jpg?v=1768501410"},{"product_id":"earthquaker-devices-ghost-echo-v3-brain-dead-custom-vintage-voiced-reverb","title":"EarthQuaker Devices Ghost Echo V3 Brain Dead Limited Edition Custom Vintage Voiced Reverb","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEQD has joined forces with Brain Dead\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e, the L.A.-based creative studio, for an ultra-cool collaboration featuring a special, limited colorway of the Ghost Echo Vintage Voiced Reverb\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e available NOW!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eYou hear that EVP, bud? It’s the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is our spooky take on the haunted* amp-top spring reverberation units of yesteryear. This creepy analog\/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound – and look out, it’s right behind you!\u003c\/p\u003e\n\u003cp class=\"\"\u003ePhew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet\/dry mix, but we like to think of it more as how scary the overall effect is.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e*Not actually haunted. Or are they?\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1548792652272_88923\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAttack: \u003c\/strong\u003eAdjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDwell:\u003c\/strong\u003e Adjusts the length of the decay. This will start to self oscillate around 3 O’clock, the pitch of the oscillations can be changed by turning the Attack control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1548792652272_91364\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e Mixes in the wet signal with the dry, unity is around noon and everything after is boosted. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Brain Dead creative brain trust has worked with an array of artists, musicians, brands, and companies on one-off runs featuring their colorful combinations of low- and high-brow art drawn from the international street and subcultures they love and celebrate. Here at EQD, we are also inspired by much of the same cinema, music, comics, and all left-of-center forms of art and media as the Brain Dead folks. So, we are giddy with excitement and appreciation that the always innovative brand chose to use one of our stompboxes as a canvas for its latest creative endeavor.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWe think Brain Dead's eye-mesmerizing graphics pair perfectly with the sound-expanding Ghost Echo, turning it into genuinely functional art. In addition to the unique colorway, Brain Dead has specially designed some colorful and special packaging for the pedal. So, whether you place it on your pedalboard or feature it on your mantle, the Brain Dead Ghost Echo is an excellent addition to your pedal and art collection.\u003cbr\u003e\u003cbr\u003eThe Brain Dead Ghost Echo is a limited production run, and their collaborations consistently sell out fast!\u003c\/span\u003e\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169724170493,"sku":"810019912740","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/gev3briandead-bi-01.jpg?v=1768501542"},{"product_id":"earthquaker-devices-grand-orbiter-v3-phase-machine","title":"EarthQuaker Devices Grand Orbiter V3 Phase Machine","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGrand Orbiter is a 4 stage OTA-based phaser with a diverse feature set that can go from stationary and resonant to slow and mellow and on through fast and swirly. It has three way toggle switch to select between the ranges of modulation. The master Rate control fine tunes the speed of the LFO in each of these modes and the flashing red LED acts as a visual indicator, even when the effect is in bypass mode. The Depth control blends the shifted signal in with the dry signal and controls the intensity of the effect. The Sweep control governs the peak frequency of the phased signal’s tone, turned full clockwise the sweep is lively and intense, whereas turning counter clockwise yields a darker, more laid back peak. The Resonance provides a wide range of control over regeneration and at higher settings adds a more pronounced and resonant tone. You can also use the Grand Orbiter as a true pitch vibrato with the “Phase\/Vibrato” switch. When in “Vibrato” mode, the dry signal is removed and the Depth controls acts as a volume control. This pedal is 100% analog, true bypass and built entirely by hand in beachy Akron, Ohio.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1549575819441_132104\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSweep:\u003c\/strong\u003e Controls the frequency peak of the sweep. Higher peak clockwise, lower peak counter clockwise.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRate 1 | 2 | 3:\u003c\/strong\u003e Changes the range of the speed control. Rate 1 is slow mode, Rate 2 is LFO kill to use the Orbiter as a fixed resonant filter, Rate 3 is fast mode.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRate: \u003c\/strong\u003eControls the speed of the LFO. Faster clockwise, slower counterclockwise.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1549575819441_135333\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e Controls the amount of phase effect mixed with dry signal. Clockwise for more intense phasing, counterclockwise for less. In “Vibrato” mode, this acts as a volume control.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003ePhase\/Vibrato:\u003c\/strong\u003e Cuts the dry signal to create a vibe\/vibrato effect depending on the setting of the other controls. Vibrato is created by turning the resonance down low.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eResonance: \u003c\/strong\u003eControls the regeneration of the phased signal. More resonant clockwise, more subtle counterclockwise.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169727119613,"sku":"855755007138","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/grandorbiter-bi-01.16.jpg?v=1768501496"},{"product_id":"earthquaker-devices-hoof-v2-hybrid-fuzz","title":"EarthQuaker Devices Hoof V2 Hybrid Fuzz","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOur flagship fuzz pedal can be found on thousands of pedalboards around the world and has rocked countless stages from stinky suburban basements to Madison Square Garden. Twice.\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Hoof is loosely based on the classic green Russian fuzz circuit and features a hybrid Germanium\/Silicon design, pairing maximum tone with maximum temperature stability not found in finicky and expensive vintage units. We hand-match our NOS Germanium transistors to exacting specifications for pedal-to-pedal consistency, taking the guesswork out of your fuzz purchase, and guaranteeing that your Hoof delivers the same smooth, natural, and harmonically-rich sustain as all your friends’ Hoofs. All your friends have Hoof fuzzes, right?\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eShift: \u003c\/strong\u003eThis adjusts the mid content, clockwise for scooped mids, counterclockwise for boosted.\u003cstrong\u003e\u003cbr\u003eTone: \u003c\/strong\u003eBass to the left, Treble to the right.\u003cstrong\u003e\u003cbr\u003eLevel: \u003c\/strong\u003eUse this control to make the Hoof louder or quieter.\u003cstrong\u003e\u003cbr\u003eFuzz: \u003c\/strong\u003eClockwise for heavy, counterclockwise for light.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169730429181,"sku":"858933004875","price":239.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/hooffuzz-bi-01.278.jpg?v=1768501419"},{"product_id":"earthquaker-devices-hoof-reaper-v2-double-fuzz-with-octave-up","title":"EarthQuaker Devices Hoof Reaper V2 Double Fuzz with Octave Up","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Hoof Reaper features our popular Hoof® and Tone Reaper™ fuzz pedals in one handy enclosure with the added bonus of an old school analog octave up. It was originally released as a special limited run item back in 2010 and demand was so high that we decided to reintroduce it back into our line. Capable of creating everything from subtle octave-up overtones through crushing octave squalls that simulate exploding stacks of amps. Each effect can be used individually as well as in series but the order of effects is preset for optimum performance.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1550517127605_56088\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003e\u003cstrong\u003eHoof\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e1. Level:\u003c\/strong\u003e Controls the output volume\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e2. Fuzz: \u003c\/strong\u003eControls sustain and gain\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e3. Tone: \u003c\/strong\u003eTreble to the right. Bass to the left\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e4. Shift: \u003c\/strong\u003eControls the mid frequencies. More pronounced to the left. Scooped to the right.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1550517127605_59393\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003e\u003cstrong\u003eTone Reaper\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e5. Level:\u003c\/strong\u003e Controls the output volume\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e6. Fuzz:\u003c\/strong\u003e Controls the sustain and nature\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e7. Tone: \u003c\/strong\u003eTreble to the left. Bass to the right\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169734656253,"sku":"855755007206","price":409.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/hoofreaper-bi-01.16.jpg?v=1768501438"},{"product_id":"earthquaker-devices-hummingbird-v4-repeat-percussions","title":"EarthQuaker Devices Hummingbird V4 Repeat Percussions Tremolo","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Hummingbird is a choppy, sawtooth tremolo modeled on the vintage “repeat percussion” unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic “50’s style” shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet. The Rate is also expression pedal accessible to allow instant changes on the fly. Using an expression pedal opens up the possibility of true random amplitude modulation! In addition to the modulation, the Hummingbird has plenty of clean gain on-tap allowing you to either boost or cut the signal using the level control. If the Depth is turned to zero, the Hummingbird will become a JFET clean boost!\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1553694187697_47414\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e This adjusts how much the oscillator affects the signal. All the way clockwise produces a full chop, all the way counterclockwise produces no chop and the Hummingbird can be used as a simple JFET booster.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eMode:\u003c\/strong\u003e Three way toggle switch which selects the range of the oscillator. Mode 1 is slow, Mode 2 is mid tempo and Mode 3 is fast.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1553694187697_49760\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRate:\u003c\/strong\u003e This adjusts the speed of the oscillator. Faster clockwise, slower counterclockwise.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e: Adjusts the output volume.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eExpression Jack:\u003c\/strong\u003e Use an expression pedal to adjust the rate with your foot! When an expression pedal is in use the Rate control is defeated. We recommend the Moog EP-2 expression pedal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169739538685,"sku":"855755007213","price":239.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/hummingbird-bi-01.16.jpg?v=1768501546"},{"product_id":"earthquaker-devices-night-vire-v2-harmonic-tremolo","title":"EarthQuaker Devices Night Vire V2 Harmonic Tremolo","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Night Wire is a feature-rich harmonic tremolo. What is harmonic tremolo? In short, the signal is split into high pass and low pass filters, then modulated with an LFO that is split 180 degrees. The Night Wire takes the traditional harmonic tremolo a few steps further by allowing the center point of both filters to be adjusted for different tones. The filter frequency has three modes: Manual, LFO and Attack. In Manual mode, the center point can be set to a fixed position with the frequency control. In LFO mode, the filters are continuously swept and the frequency control adjusts the speed. In Attack mode, the filters are dynamically swept according to pick attack and the frequency control acts as a range control, much like a standard envelope filter. The tremolo section has two modes, Manual and Attack. In Manual mode, the speed of the tremolo is governed by where the rate control is set. In Attack mode the speed is controlled by pick attack and the rate controls the sensitivity; the harder you pick, the faster the rate and vice-versa. The tremolo can be subtle and shimmery or full-on throbbing depending on where the depth control is set. With the depth set to zero, the Night Wire will act like a fixed filter, phase shifter or envelope-controlled filter depending on which mode the filter frequency is in. It also features a cut\/boost volume control to get your levels just right.\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554405317449_59656\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eDepth: \u003c\/strong\u003eAdjusts the depth of the tremolo. More clockwise, less counterclockwise. When fully counterclockwise, the amplitude modulation will be removed and the Night Wire will function as a fixed filter, envelope controlled filter or phaser depending on where the Frequency toggle is set.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRate Toggle:\u003c\/strong\u003e This toggle lets you select between two ways to control the speed of the tremolo. Attack lets you adjust the speed by pick attack. In this mode, the Rate knob controls the sensitivity of the dynamic tremolo. The higher the rate and harder you pick, the faster the speed will rise and vice versa. In Manual mode, the Rate control adjusts the speed like a common tremolo.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRate:\u003c\/strong\u003e In Manual mode, this controls the speed of the tremolo. Faster speed clockwise and slower speed counterclockwise. In Attack mode, this controls the sensitivity of the dynamic tremolo. The higher the Rate and harder you pick, the faster the speed will rise and vice versa.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554405317449_62460\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLevel: \u003c\/strong\u003eSets the output level, unity is around noon.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFrequency Toggle: \u003c\/strong\u003eThis toggle lets you select one of 3 different ways to control the center frequency of the filter section. In LFO mode, the frequency is continuously swept by an LFO. In this mode, the Frequency knobs adjusts the speed of the LFO. In Manual mode, the frequency is determined by where the Frequency knob is set. In Attack mode, the center frequency is dynamically controlled by pick attack and the Frequency knob adjusts the sensitivity.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFrequency: \u003c\/strong\u003eControls the center frequency of the filters in Manual mode: higher clockwise, lower counterclockwise. In LFO mode this controls the rate of the sweep: faster clockwise and slower counterclockwise. In Attack mode this controls the sensitivity of the envelope: lower Frequency gives slower rise and lower peak, higher Frequency gives faster rise and higher peak. Simple, right?\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169741930749,"sku":"855755007220","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdnw-bi-01.16.jpg?v=1768501469"},{"product_id":"earthquaker-devices-organizer-v2-polyphonic-organ-emulator","title":"EarthQuaker Devices Organizer V2 Polyphonic Organ Emulator","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Organizer is a polyphonic organ emulator designed to mimic the organ tones of yesteryear crossed with the highly unique “Guitorgan”. It has a warm and very analog feel with a hint of Leslie warble that is unlike other modern octave shifters. It is simple to dial in and tracks chords as well as single notes perfectly all over the neck on both guitar and bass. Not only can the Organizer be used on strings, it has been widely used on everything from vocals and synths to horns and drums. If it makes sound, the Organizer can handle it! The Organizer uses a mix of analog and DSP circuitry with true bypass switching and an all analog dry signal path.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"row sqs-row\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554736122984_144927\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eUp:\u003c\/strong\u003e Level control for the octave up.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDown: \u003c\/strong\u003eLevel control for the octave down.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eChoir: \u003c\/strong\u003eThis control takes a mix of the octave Up and octave Down setting and regenerates it. The end result is an additional 2 octaves up, 2 octaves down and direct signal with a slight delay that adds a “church organ” like feel. This control only works if the octave Up and octave Down are in use.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554736122984_150310\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLag:\u003c\/strong\u003e Delay control for the wet signal. Full counterclockwise is minimal delay. Delay time increases as it rotates clockwise.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Rolls off the high end as you dial it counterclockwise.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDirect: \u003c\/strong\u003eLevel control for the analog dry signal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169746518269,"sku":"858933004899","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_44957fd6-a7ae-4064-8974-2c42d5a9f4dc.jpg?v=1768501472"},{"product_id":"earthquaker-devices-palisades-v2-mega-ultimate-overdrive","title":"EarthQuaker Devices Palisades V2 Mega Ultimate Overdrive","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Palisades is something we said we would never do… an overdrive based on the legendary TS808! After loads of requests, we finally buckled. We ran tests with every popular clone on the market as well as several vintage originals, compared, contrasted and took loads of notes. It was exhausting but informative. In the end, we threw it all away, used our ears and came up with what we feel is the most versatile relative of the 808 available today.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith 6 different clipping voices, 5 bandwidth settings and 2 gain channels, you will be hard-pressed to not find a setting that will wipe every mid-boosting overdrive off your board. The Palisades is a versatile dude that will give you years of loving companionship.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBoost: \u003c\/strong\u003eSets the level of the output boost.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGain A:\u003c\/strong\u003e Sets the gain for the Channel A (lower gain)\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVolume:\u003c\/strong\u003e Sets the output level.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGain B:\u003c\/strong\u003e Sets the gain for Channel B (higher gain)\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Brighter clockwise, warmer counterclockwise.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRotary Switches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVoice:\u003c\/strong\u003e This sets the nature of the Palisades distortion by changing the clipping diodes.\u003c\/p\u003e\n\u003col data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eNo diodes: The most open and least distorted.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eLED clipping: Light clipping with a lot of volume.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eMosfet clipping: Light gain OD with great harmonics.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eAsymmetrical Silicon clipping: Tighter light gain OD closest to stock 808.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSymmetrical silicon clipping: Tighter distorted tone.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSchottky Diode clipping: Looser fuzzy tone.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBandwidth:\u003c\/strong\u003e This sets the overall tone and gain structure of the Palisades. 1 is the thinnest setting with the least amount of gain and 5 is the fattest setting with the heaviest gain. Everything else is in between. This control has a major effect on all the settings of the Palisades, especially the Gain and Voice controls.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eToggle Switches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eNormal\/Bright:\u003c\/strong\u003e Normal is a warm full tone. Bright is livelier tone with more chime.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBuffer:\u003c\/strong\u003e Turns the input buffer on or off. ON is a tighter and brighter tone while OFF is a warmer tone with more sag. The buffer is part of the drive circuit \u0026amp; is only available when the Palisades is activated.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFoot Switches\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBoost: \u003c\/strong\u003eActivates the output level boost, Features Flexi-Switching.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eGain B: \u003c\/strong\u003eActivates Gain Channel B, Features Flexi-Switching.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eActivate: \u003c\/strong\u003eTrue bypass switch\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169749008637,"sku":"855755007114","price":339.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/polisades-bi-01.16.jpg?v=1659953589"},{"product_id":"earthquaker-devices-park-fuzz-vintage-fuzz-tone","title":"EarthQuaker Devices Park Fuzz Vintage Fuzz Tone","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003ePark Amplifiers and EarthQuaker Devices have teamed up to bring you a faithful recreation of the original Park Fuzz Sound! While it retains the original sounds, there are several modern upgrades to improve performance, reduce extraneous background noise and add versatility:\u003c\/p\u003e\u003cbr\u003e\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cli data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMetal film resistors and caps for quieter performance\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eNOS matched germanium transistors for consistent, reliable tones\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWider fuzz range, more than twice the original\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSmaller footprint, true bypass switching with LED indication and power supply compatible\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eVolume:\u003c\/strong\u003e This is the level control, louder to the right, quieter to the left.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTreble\/Bass: \u003c\/strong\u003eThis is the tone control, thicker tones to the right, brighter to the left.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eFuzz:\u003c\/strong\u003e This is the gain control, more fuzz to the right, less to the left.\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169757004029,"sku":"858933004356","price":239.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/parkfuzz-bi-01.16.jpg?v=1768501516"},{"product_id":"earthquaker-devices-plumes-small-signal-shredder","title":"EarthQuaker Devices Plumes Small Signal Shredder Overdrive","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePlumes® is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom and almost three-dimensional clarity that will push your amp over the edge. The reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-84ee78e8295c2f8ee92d\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e This controls the output volume.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eGain:\u003c\/strong\u003e This controls the amount of drive.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e More bass to the left, more middles in the middle and more treble to the right.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1559670574025_284625\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eClipping Modes (3-Way Toggle):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cstrong\u003eSymmetrical LED clipping -\u003c\/strong\u003e More Crunch and Compression.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cstrong\u003eNo clipping -\u003c\/strong\u003e Wide open OpAmp drive for clean boost.\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cstrong\u003eAsymmetrical silicon diode clipping -\u003c\/strong\u003e More transparency with a loose feel.\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003ePlumes is an overdrive based around that classically overdone tube-like circuit you all know, and amps crave. While this particular circuit has been done to death, we here at EarthQuaker Devices brand of special effects pedals think the Plumes offers an original take on the old, tired dead horse everyone loves to beat on. You can’t get enough of it, so we are giving you some more. Doctor’s orders and what not….\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eFor starters, we’ve done away with the sacred 4558 IC and the classic BJT transistor buffers and replaced them with JFET operational amplifiers and raised the input impedance to nearly 10 megaohms! This offers lower noise, better signal integrity and more chime in the high end. We power this OpAmp by taking the 9v input and internally converting it to +\/- 9v to give it more headroom. The end result is a more three-dimensional tone with added clarity that really pushes a nice tube amp over the edge. You might notice how those badass leads you’re always ripping will blast over those awful, no good cymbals your drummer is constantly bashing around on. It sounds like diamonds…a million f**king diamonds!\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cspan\u003eWe’ve also added three different clipping options for your consideration. \u003c\/span\u003e\u003cstrong\u003eMode 1 \u003c\/strong\u003e\u003cspan\u003eis symmetrical clipping utilizing a pair of light emitting diodes. This is the crunchiest setting the Plumes has to offer. When played through a clean amp, it’ll deliver a reasonable facsimile of that classic black and gold British valve amp tone. If you already set your amp dirty, using this mode will make it filthy. \u003c\/span\u003e\u003cstrong\u003eMode 2\u003c\/strong\u003e\u003cspan\u003e is clean boost mode. This eliminates the soft clipping diodes altogether and leaves you with straight OpAmp drive. This is perfect for pushing your clean tone out in front or driving the preamp of an already overdriven amp into tasteful breakup territory. \u003c\/span\u003e\u003cstrong\u003eMode 3\u003c\/strong\u003e\u003cspan\u003e is an asymmetrical silicon diode arrangement similar to the stock screamer but with more output and clean clarity; the tone some people describe as “transparent”. It’s almost as if your clean tone is blended in with a slightly less clean tone, ya know? Using this mode gives a warmer low-end response and lower output. It’s less hard on your amp and your ears. It’s a classic pleasant tone the whole band can enjoy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cspan\u003eNot enough for you? We’ve also improved the way the classic tone control operates while still leaving it familiar enough to keep you warm and comfortable. It’s still a safe space, no worries in here. It’s now useful through the whole range. The low end is big and clear, and the high end is bright and cutting without killing the mids. Just the right amount of tonal tickling to excite those ear drums yet still give that familiar mid-heavy drive.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169762312445,"sku":"810019911347","price":159.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/plumes_main.jpg?v=1768501559"},{"product_id":"earthquaker-devices-rainbow-machine-v2-polyphonic-pitch-mesmerizer","title":"EarthQuaker Devices Rainbow Machine V2 Polyphonic Pitch Mesmerizer","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis one is for experimenters, adventurists, and noisemakers. Totally not for purists and\/or tone hounds. There are no “natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe Rainbow Machine has been completely re-imagineered from the pixie dust-covered ground up to be more versatile, twice as loud as the original, with an extended delay time, deeper chorus tones, silent flexiswitch footswitches on both the \u003cstrong\u003eActivate \u003c\/strong\u003eand \u003cstrong\u003eMagic\u003c\/strong\u003e functions, and most of all, more Magic.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe Rainbow Machine is built around a DSP pitch warping engine that’s designed to be slightly imperfect; colored with digital remnants of the cosmic dust we’ve picked up across the multiverse. That is to say it’s a cold digital beast made to pretend it has feelings.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003ePitch\u003c\/strong\u003e control adjusts the frequency of the polyphonic pitch-warped harmony from a fourth below your input, to a third above, and every atonal pitch in-between. Noon is the unison position. Pitch may also be controlled via expression pedal. Use the \u003cstrong\u003ePrimary\u003c\/strong\u003e function control to adjust the volume of the polyphonic harmony.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e[\u003cstrong\u003ePro Tip:\u003c\/strong\u003e \u003cem\u003eWith the Pitch control set to noon, the Rainbow Machine acts as a chorus. Use the Primary control to adjust the wet signal volume and select the delay time with the Tracking control. The tracking improves as this control is increased, so turn it up for tighter tracking with a shorter delay time or turn it down for longer delays and more ambience.\u003c\/em\u003e]\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003eTracking \u003c\/strong\u003econtrol adjusts the lag time between the wet and dry signals. \u003cstrong\u003eTone\u003c\/strong\u003e rolls off some treble for a darker, “vintage” sound. Clockwise Tone settings are bright, counterclockwise is dark.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eThe \u003cstrong\u003eSecondary \u003c\/strong\u003econtrol adds an octave of the Primary harmony. When the Pitch control is above noon, Secondary adds an octave above the harmony. When the Pitch control is below noon, the Secondary control will add one octave below the harmony. With the Pitch set to noon, the Secondary control adds an additional chorus voice for modulated, triple-tracked tones. Use this control to blend in faux-shimmer sounds or a low-frequency rumble. It’s up to you. From there, it’s only a matter of how weird you wanna get.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eAnd you can choose how weird you get with the \u003cstrong\u003eMagic\u003c\/strong\u003e control. This is a regeneration control that creates aliasing (among other things) by feeding the Primary and Secondary signals back on themselves and each other, and a bunch of other stuff no one understands.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eWith the Magic engaged and the control set low, you can squeeze a few extra repeats out of whatever setting you happen to be using. As you increase the Magic control, you’ll start noticing increased ambience, resonant, edge-of-oscillation pitch-shifting delays, chorus, metallic digi-flanging, ascending (or descending) pixie trails, controllable self-oscillation, squalls of synthetic noise, whale song, and finally, distortion. It’ll take you way beyond and open up your third eye, trust us. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descends, chaos chorusing, shrieks, groans, gurgles, wizard-blessed wizardry, signal transformation, imminent destruction, and other general mayhem.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003eMaybe you only wanna get weird for a second? Okay, with the Rainbow Machine engaged, hold down the Magic footswitch, get weird, and then let go to return to your boring, old Magic-less guitar tone. Or, press the switch like normal, and the Magic remains engaged until you press the switch again. Ditto for the Activate switch. Press and hold to use the Rainbow Machine as a momentary effect, then let go to bypass; or feel free to press the switch like normal and use the Rainbow Machine like you would any other effects pedal.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e[\u003cstrong\u003ePro Tip:\u003c\/strong\u003e \u003cem\u003eThe pitch warping behavior is entirely dependent upon the Pitch knob’s position relative to noon. Set above noon, echoes, pixie trails, and other effects will ascend in pitch as they sustain. With the Pitch control below noon, any lingering effects will descend in pitch. This becomes extremely important when using the Magic function.\u003c\/em\u003e]\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169770143997,"sku":"855755007237","price":309.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_a71fdc1c-e0f5-4790-88ed-1ee5944ce3f1.jpg?v=1768501423"},{"product_id":"earthquaker-devices-sea-machine-v3-super-chorus","title":"EarthQuaker Devices Sea Machine V3 Super Chorus","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That’s a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that’ll help you reel in the big one.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Sea Machine ain’t no one-trick seahorse. With a mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you’re a bass player who fancies themselves a fan of the classic 80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548795238381_81316\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eAnimate:\u003c\/strong\u003e How far the pitch shifted signal swings, lower levels equal a tighter and more focused shift à la traditional chorus. As you increase the control a more wild and animated pitch shift begins to emerge.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDimension:\u003c\/strong\u003e Adds a slight slap-back at low levels, reverb-like ambiance at mid levels and an echo-resonance that will lead to self-oscillation at max.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eIntensity:\u003c\/strong\u003e Adjusts how much modulated signal is blended in with the dry signal. Unity for this control is right around noon, everything above that is boosting the modulated signal.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1548795238381_84547\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e Adjusts how strongly the LFO modulates the delay time.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eShape:\u003c\/strong\u003e Goes from triangle wave to square wave as you turn clockwise.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRate: \u003c\/strong\u003eThis sets the speed of the LFO. The miniature LED will blink to the tempo, even in bypass mode.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169777484029,"sku":"858933004998","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/seamachine-bi-01.16.jpg?v=1768501530"},{"product_id":"earthquaker-devices-spatial-delivery-v2-envelope-filter-w-sample-hold","title":"EarthQuaker Devices Spatial Delivery V2 Envelope Filter w\/ Sample \u0026 Hold","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes: Up Sweep, Down Sweep and Sample and Hold.\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWith Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes. The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive\/fuzz after the Spatial Delivery and you’ve got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you’re a neo-bedroom rock god. In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you’ve just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice.\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554744329565_68357\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eRange: \u003c\/strong\u003eAdjusts the sensitivity of the envelope in \u003cstrong\u003eUp\u003c\/strong\u003e and \u003cstrong\u003eDown\u003c\/strong\u003e mode. In \u003cstrong\u003eSample and Hold\u003c\/strong\u003e mode, this controls the speed.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMode Toggle: \u003c\/strong\u003eThis toggles between \u003cstrong\u003eUpward Sweep\u003c\/strong\u003e, \u003cstrong\u003eDownward Sweep\u003c\/strong\u003e or \u003cstrong\u003eSample and Hold\u003c\/strong\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1554744329565_72062\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eResonance:\u003c\/strong\u003e This is the filter feedback control, it adds more body and ring to the filter voice.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFilter: \u003c\/strong\u003eThis crossfades between high pass and low pass filters and allows you to get everything in between. High pass is fully counterclockwise, low pass is full clockwise and center is band pass. This is much more useful than a simple switch because it allows you to blend the filters for different sounds!\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169783152893,"sku":"855755007251","price":228.65,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdsd-bi-01.16.jpg?v=1768501535"},{"product_id":"earthquaker-devices-special-cranker-v1-an-overdrive-you-can-trust","title":"EarthQuaker Devices Special Cranker V1 An Overdrive You Can Trust","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn all-discrete analog distortion enhancement device designed to give your signal some extra grit and boost without drastically altering your tone and retaining all of the natural nuances and character of your amp. Think of it as sticking an extra preamp tube in your amplifier for more saturation. Single notes will blossom and bloom with rich harmonics and singing sustain with responsive, tube-like sag. Power chords will sound thicker and crunchier, a little more ragged around the edges. Complex chords will remain distinct and complex, as the Special Cranker is designed to preserve your tone’s integrity without muddying up the low-end or smearing the midrange.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-34e2fceba70b0767e0e8\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Adjusts the output volume. Unity gain is between 10-12 o’clock depending on which diodes are selected.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDiode Selector:\u003c\/strong\u003e Germanium on the left for a softer and more transparent tone and Silicon on the right for a brighter and more modern edge.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-6a83a3b0d713b4dad972\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eMore:\u003c\/strong\u003e Adjusts the gain. This control changes the bias of the transistor, so you may hear a little noise when adjusting. Don’t worry; this is perfectly normal. At maximum gain, the Special Cranker can achieve explosive overbiased tones depending on the output of your pickups.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Rolls off highs counterclockwise and boosts highs clockwise. A flat response can be found right around 3 o’clock.\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cspan\u003eThe Special Cranker picks up where our beloved Speaker Cranker \u003c\/span\u003e\u003cspan\u003eleft off. It has the same spongy, dynamic, and touch-sensitive character of the original but with more gain, double the output volume (now with a user-friendly \u003c\/span\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003cspan\u003e control), an added Tone control to shape your signal, and a diode selector switch featuring the original asymmetrical Silicon diodes as well as a hot, new Germanium diode option.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cspan\u003eThe \u003cstrong\u003eMore\u003c\/strong\u003e control goes from nearly clean to a medium gain overdrive when at maximum. This control adjusts the bias of the transistor, so you may hear a little noise as you turn the control. Don’t freak out; it’s totally fine. The gain characteristics are dependent on which diodes are chosen. When the Germanium diodes are selected, the Special Cranker delivers a softer, more rounded response with tamed highs and lower output, while the Silicon diodes add a brighter, more modern edge and higher output. Both are exceptionally responsive to playing dynamics and have excellent clarity. The \u003cstrong\u003eTone\u003c\/strong\u003e control gives the user full command over treble frequencies, cutting the highs when counterclockwise and adding a slight high frequency boost when turned clockwise. The \u003cstrong\u003eLevel\u003c\/strong\u003e control adjusts the output from nothing to nearly double at maximum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43169789509885,"sku":"810019912504","price":159.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/Special-Cranker.jpg?v=1768501512"},{"product_id":"earthquaker-devices-swiss-things-pedalboard-reconciler","title":"EarthQuaker Devices Swiss Things Pedalboard Reconciler Router","description":"\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSwiss Things® combines two true-bypass Flexi-Switch® enabled effects loops, a Flexi-Switch® AB-Y box with transformer isolation between outputs, a buffered tuner output, 20dB of clean boost with adjustable gain, an expression pedal output for volume control and a quiet, high headroom output buffer into a compact pedalboard-friendly signal routing junction box that lives at the top-right corner of your pedalboard and really ties your rig together without any signal loss.\u003c\/p\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eThis is what you can do with it:\u003c\/strong\u003e\u003c\/p\u003e\u003cul data-rte-list=\"default\" data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eUse as many pedals as you’d like without tone-suck\u003c\/p\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eQuickly and easily bypass or engage all of your effects with one click\u003c\/p\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eUse Flexi-Switch® Technology with every pedal in your setup\u003c\/p\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEliminate volume pedal tone-suck by using any expression pedal to control volume\u003c\/p\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eUse multiple amps without phase issues, ground loops, or extra noise\u003c\/p\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTidy up your rig, shorten cable runs, and reduce tone loss by keeping all inputs and outputs in one location\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eCONTROLS\u003c\/strong\u003e\u003c\/p\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1543855734245_104685\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003e\u003cstrong\u003eHere’s what the footswitches do:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoop 1:\u003c\/strong\u003e Press this to engage \u003cstrong\u003eLoop 1\u003c\/strong\u003e. It features Flexi-Switch® Technology and is unbuffered for use with all distortion, overdrive, and fuzz pedals, or anything else that doesn’t like being buffered.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoop 2:\u003c\/strong\u003e Press this to engage \u003cstrong\u003eLoop 2\u003c\/strong\u003e. It also features Flexi-Switch® Technology and is buffered for use with time-based effects (delay, reverb, modulation, etc.).\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e when nothing is plugged into Loop 2, it functions as a mute.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBoost:\u003c\/strong\u003e press this to activate the boost. It is Flexi-Switch® Technology enabled and provides up to 20dB of clean boost post-effects loops and is intended for use as an output booster.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eA\/B:\u003c\/strong\u003e selects between \u003cstrong\u003eOutput A\u003c\/strong\u003e and \u003cstrong\u003eOutput B\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e Output B is transformer-isolated and includes a Phase switch for use with pedals and\/or amplifiers which invert phase.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBoth:\u003c\/strong\u003e activates \u003cstrong\u003eOutput A\u003c\/strong\u003e and \u003cstrong\u003eOutput B\u003c\/strong\u003e at the same time and features Flexi-Switch® Technology\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\u003cdiv id=\"block-yui_3_17_2_1_1543855734245_108616\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003e\u003cstrong\u003eHere’s what the input, output, send, return, and expression jacks are for:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eInput:\u003c\/strong\u003e plug your instrument in here.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e If you have any “always-on” pedals (compressors, preamps, EQs, etc.) place them before Swiss Things’ input. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoop 1 Send:\u003c\/strong\u003e Plug this into the input of the first pedal in the octave\/overdrive\/distortion\/fuzz section of your board.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoop 1 Return:\u003c\/strong\u003e Plug the output of the last pedal of the octave\/overdrive\/distortion\/fuzz section into this jack.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoop 2 Send:\u003c\/strong\u003e Plug this into the input of the first pedal in the modulation section of your board.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eLoop 2 Return:\u003c\/strong\u003e Plug the output of the last pedal of your modulation section into this jack.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTuner Output:\u003c\/strong\u003e Connect this to the input of your tuner.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e Tuner must be always turned on. If you bypass your tuner, you may experience ground loops or hum.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eVolume EXP:\u003c\/strong\u003e Connect any expression pedal to this output to control volume.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e Most volume pedals create “tone-suck” by loading the signal down and have limited travel. This solves that problem with a buffered output and allows you to use any expression pedal with the same results. The expression jack is placed after the “dirt” effects loop (Loop 1) which allows you to change volume levels without affecting gain.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eOutput A:\u003c\/strong\u003e connect this to the input of your amplifier.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eOutput B:\u003c\/strong\u003e connect this to the input of a separate amplifier to use multiple amps and\/or to play in stereo.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e To use Swiss Things with stereo effects, they should be placed after Outputs A \u0026amp; B and both outputs must be selected using the Both switch. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e Output B is transformer-isolated and includes a Phase switch for use with pedals and\/or amplifiers which invert phase.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003e\u003cem\u003eNote:\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e To use stereo effects after Swiss Things, do not have the Phase switch engaged otherwise the L \u0026amp; R inputs of your stereo effects will be out of phase.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Standard","offer_id":43169796096253,"sku":"855755007831","price":409.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdswiss-bi-01.jpg?v=1768501583"},{"product_id":"earthquaker-devices-sunn-o-life-pedal-v3","title":"EarthQuaker Devices Sunn O))) Life Pedal V3 Fuzz Distortion","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eSunn O))) and EarthQuaker Devices are pleased to bring you \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e Volume III.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e V3 circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi Switch Technology, for the octave to allow an additional method of quick and radical tone shaping. We are excited to have this back in permanent production, it is a true labor of love.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eBirth of a \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003eIn the writing sessions for \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e Metal Stephen \u0026amp; Greg worked extensively shearing their tones toward a broader energy spectrum over high powered saturation and across planes of sonic character, with the ambition to take full advantage of Steve Albini’s (the recording engineer for the album) exacting capture skills.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe results are astounding: there is breadth and luminosity of colour, vast sonic cosmoses, flashes of abstract colour (synthetic and objective) through resulting themes which emerged from the mastered depths of saturation and circuits between the two players and their mountains of gear.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is designed to represent the core front end chain used in those sessions, to drive the tubes of the band’s multiple vintage Sunn O))) Model T amplifiers (or take your fancy) into overload ecstasy. This is a 100w tube amp full stack’s holy dream, or its apostate nightmare.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eAn octave fuzz inspired by the Shin-Ei FY2 \u0026amp; FY6 units leads the circuit into a brutal big box rodent inspired distortion, recreated with the best components, and including a three-way clipping switch (op Amp, Asymmetric \u0026amp; Symmetric). Second stage is a purely clean boost to further overdrive the preamp tubes of your vintage system into -scaped harmonics, and feedback overtone bliss.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eChasms are cleared, mountains sheared, glaciers calved, novæ birthed. Vintage valve amplifiers recommended. We hope you transcend.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eDesigned and manufactured by EarthQuaker Devices in the dark corridors of Akron, Ohio.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eWhat is it?\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003e\u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is a distortion with a blendable analog octave up and a booster combined in one compact package. The “Amplitude” side is faithfully modeled after the classic “White Face” distortion unit, using modern, reliable components to last a \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003elife\u003c\/span\u003etime. The only modifications made to the original circuit are in the clipping section. The traditional circuit uses a single pair of silicon diodes for a tight, compressed crunch. The \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e introduces two additional clipping options to better adapt to different rigs. The first position is no diodes to allow for full, grinding Op Amp assault at maximum volume. The second position utilizes two silicon diodes and one LED in an asymmetrical clipping configuration. This delivers a slightly compressed and smooth crunch, similar to a valve amplifier. The last position is the stock double silicon diode configuration which provides that classic tone you know and love.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe Octave in \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is an all-discrete, analog full-wave rectifier base on a classic vintage design. Located at the input of the circuit, the Octave control slowly blends in the octave effects as you turn it clockwise. This feature can also be used via expression control allowing for wild, hands-free octave swells mid-riff or using the footswitch for immediate octave fuzz destruction. Because this is an analog octave effect, it is monophonic and works best playing single notes above the twelfth fret while using the neck pickup. Playing chords with the analog octave will sound clanging and chaotic. Using the bridge pickup and playing below the twelfth fret will produce a very subtle octave effect. Going full Octave transforms \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e from a simple distortion device into a swelling, raging fuzz similar to the classic Super Fuzz!\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe “Magnitude” section of \u003cspan data-markjs=\"true\" class=\"mark4gam4lpmv\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-markjs=\"true\" class=\"markkcvh3e9hf\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is a simple all-discrete MOSFET booster designed to blast your preamp tubes and drive them wild. It is a 100% clean, no-nonsense, high impedance booster that adds very little color to your tone. It does not add distortion on its own but has plenty of output to push your amp into saturation.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe signal path goes Octave\u0026gt;Distortion\u0026gt;Boost. The octave distortion and booster can be used independently with their own respective foot switches. The Petrine Cross is the octave distortion and the Christian Cross is the booster.\u003c\/span\u003e\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43476078919933,"sku":"810019912733","price":405.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdlifev3usa-bi-01.jpg?v=1768501412"},{"product_id":"earthquaker-devices-avalanche-run-v2-stereo-reverb-delay","title":"EarthQuaker Devices Avalanche Run V2 Stereo Reverb \u0026 Delay","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/Avalance-Run-Controls_480x480.jpg?v=1666178054\"\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e1. Time:\u003c\/strong\u003e This controls the delay time and goes from 0ms to just under 2000ms.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e2. Repeats:\u003c\/strong\u003e Controls the regeneration of the delay, from zero repeats to near infinite.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e3. Tone:\u003c\/strong\u003e Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e4. Mix:\u003c\/strong\u003e The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e5. Expression Jack Assign Switch:\u003c\/strong\u003e Use this switch to map the expression jack to one of the assigned controls.\u003c\/p\u003e\u003cbr\u003e\u003cul data-rte-list=\"default\"\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eDecay:\u003c\/strong\u003e Controls the reverb decay length\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eR Mix:\u003c\/strong\u003e Controls the reverb mix\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eTime:\u003c\/strong\u003e This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eRepeats:\u003c\/strong\u003e Controls the delay repeats\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eD Mix:\u003c\/strong\u003e Controls the delay mix\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eToggle:\u003c\/strong\u003e This takes over for the toggle switch and will cross fade from forward delay in heel down position to reverse delay in toe down position.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e6. Ratio Selector Switch:\u003c\/strong\u003e Selects delay subdivisions when time is set by the “Tap” switch.\u003c\/p\u003e\u003cbr\u003e\u003cul data-rte-list=\"default\"\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e1\/1:\u003c\/strong\u003e Quarter Note\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e3\/4:\u003c\/strong\u003e Dotted 8th\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e2\/3:\u003c\/strong\u003e Quarter Note Triplet\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e1\/2:\u003c\/strong\u003e 8th Note\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e1\/3:\u003c\/strong\u003e 8th Note Triplet\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e1\/4: \u003c\/strong\u003e16th Note\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e7. Decay:\u003c\/strong\u003e Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e8. Toggle Switch (Mode Selector)\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eNormal:\u003c\/strong\u003e This is the “standard” delay and reverb mode\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eReverse:\u003c\/strong\u003e This is reverse delay mode with “standard” reverb\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSwell:\u003c\/strong\u003e This is the volume swell mode\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e9. Mix:\u003c\/strong\u003e\u003cspan\u003e This is the volume control for the reverb. Blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.\u003c\/span\u003e\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43494348685565,"sku":"855755007183","price":479.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdar-bi-01.277.jpg?v=1768501497"},{"product_id":"earthquaker-devices-afterneath-reverb-eurorack-module","title":"EarthQuaker Devices Afterneath Reverb Eurorack Module","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Afterneath Eurorack Module brings the Otherworldly sounds from the effects pedal world right into your modular synthesizer with an expanded feature set. The Afterneath module features one main audio input, one main audio output, an audio send and return for the Reflect feedback path, and nine controls. Four of the parameters are controllable via CV, and each has been equipped with a dedicated attenuverter to process the incoming CV. The Afterneath module has a completely analog dry signal path and a totally digital wet signal path.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/Afterneath-Eurorack-Controls_480x480.jpg?v=1666177526\"\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e1. Input:\u003c\/strong\u003e Adjusts the level of the incoming signal to allow for signals ranging from instrument-level (clockwise) to modular-level (counterclockwise).\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e2. Dampen: \u003c\/strong\u003eControls the tone of the wet signal. Clockwise for darker tones, counterclockwise for brighter tones.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e3. Reflect: \u003c\/strong\u003eControls the regeneration of the reverb, turn clockwise for more wash and echoes, counterclockwise for less. This will self-oscillate if turned up high. Acts as an attenuator when there is a signal patched into the \u003cstrong\u003eReflect Return\u003c\/strong\u003e jack.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e4. Mix: \u003c\/strong\u003eControls the amount of wet signal that is mixed with the dry signal. Though it does not actually go completely wet, you can achieve a fully wet signal by engaging the \u003cstrong\u003eDry Kill\u003c\/strong\u003e switch.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e5. Dry Kill: \u003c\/strong\u003eEliminates the dry signal from the output, leaving only the wet signal.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e6. Drag: \u003c\/strong\u003eThis digital reverb is made up of a bunch of short delays, \u003cstrong\u003eDrag\u003c\/strong\u003e separates the delay lines creating a stuttering, pingy effect. This is the coolest control on the Afterneath; we highly advise slowly turning (or modulating) this while you let notes ring out for a cool warped speed effect. The effect is more delay-like as you turn it counterclockwise, and it is more reverb-like as you turn it clockwise. You will achieve shorter delay times as you move the control clockwise, and longer delay times when you turn the control counterclockwise. You will notice a change in pitch when adjusting this control with sound present in the effects buffer, or when the effect is self-oscillating.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e7. Mode: \u003c\/strong\u003eControls the behavior of the \u003cstrong\u003eDrag\u003c\/strong\u003e control as well as how it responds to control voltage. There are 9 different modes (see the following Modes section for explanations).\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e8. Diffuse: \u003c\/strong\u003eSmooths and diffuses the delay repeats. Sharper transients with more attack counterclockwise, more ambient, reverb-like and washy as you turn it clockwise.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e9. Length:\u003c\/strong\u003e Controls the decay length of the reverb.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e10. Mode LED\u003c\/strong\u003e: Visually indicates the current mode.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e11. Drag CV Attenuverter:\u003c\/strong\u003e Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e12. Mode CV Attenuverter: \u003c\/strong\u003eAttenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e13. Diffuse CV Attenuverter: \u003c\/strong\u003eAttenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e14. Length CV Attenuverter:\u003c\/strong\u003e Attenuates or inverts the incoming CV. The CV is at unity gain when the attenuator is fully clockwise, inverted when it is fully counterclockwise and the CV is completely attenuated when the attenuator is in the 12 o’clock position.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e15. Drag CV Input:\u003c\/strong\u003e Allows modulation of the \u003cstrong\u003eDrag\u003c\/strong\u003e control using external CV.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e16. Mode CV Input: \u003c\/strong\u003eAllows modulation of the \u003cstrong\u003eMode\u003c\/strong\u003e control using external CV.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e17. Diffuse CV Input:\u003c\/strong\u003e Allows modulation of the \u003cstrong\u003eDiffuse\u003c\/strong\u003e control using external CV.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e18. Length CV Input:\u003c\/strong\u003e Allows modulation of the \u003cstrong\u003eLength\u003c\/strong\u003e control using external CV.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e19. Audio Input:\u003c\/strong\u003e Accepts audio signals ranging from instrument-level to modular-level, using the \u003cstrong\u003eInput\u003c\/strong\u003e knob to adjust the level.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e20. Reflect Send:\u003c\/strong\u003e Allows external patching and processing of the \u003cstrong\u003eReflect\u003c\/strong\u003e feedback path. Patching from this output does not interrupt the internal feedback path.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e21. Reflect Return:\u003c\/strong\u003e Allows return of the externally patched and processed \u003cstrong\u003eReflect\u003c\/strong\u003e feedback path. Also, it can be used as an additional audio input if you wish to forgo the feedback. The\u003cstrong\u003e Reflect\u003c\/strong\u003e knob acts as an attenuator for the audio that is patched to this input. Please note that processing of the \u003cstrong\u003eReflect\u003c\/strong\u003e feedback path can easily result in self-oscillation when processing with effects such as distortion or a resonant filter. The \u003cstrong\u003eReflect\u003c\/strong\u003e knob can be used to compensate for this factor. Patching a cable to this input will disconnect the internal feedback path, but the \u003cstrong\u003eReflect Send\u003c\/strong\u003e will still be active.\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e22. Audio Output\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eMODES\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e1. Unquantized:\u003c\/strong\u003e Smooth, unquantized response over the operating range\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e2. Unquantized with Slew:\u003c\/strong\u003e Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or CV changes, but then quickly catch up\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e3. Unquantized Volt\/Octave:\u003c\/strong\u003e Smooth and unquantized, yet scaled to align with the 1v\/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage controlled oscillator\u003c\/p\u003e\u003cbr\u003e\u003cdiv class=\"row sqs-row\"\u003e\n\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-0793de4861eb79190941\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e4. Chromatic Scale:\u003c\/strong\u003e Quantized 1v\/octave to the chromatic scale\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e5. Major Scale:\u003c\/strong\u003e Quantized 1v\/octave to the major scale\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e6. Minor Scale:\u003c\/strong\u003e Quantized 1v\/octave to the minor scale\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e7. Pentatonic Scale:\u003c\/strong\u003e Quantized 1v\/octave to the pentatonic scale\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e8. Octaves \u0026amp; Fifths:\u003c\/strong\u003e Quantized 1v\/octave to omit all but octaves and fifths\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003e9. Octaves:\u003c\/strong\u003e Quantized 1v\/octave to omit all but octaves\u003c\/p\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003e\u003cstrong\u003eSelf-Oscillation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1578923312901_27707\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eIt is normal for the Afterneath Module to self-oscillate when using higher settings of the \u003cstrong\u003eLength\u003c\/strong\u003e and \u003cstrong\u003eReflect\u003c\/strong\u003e controls – especially when both controls are set above the 12 o’clock position. When you combine the self-oscillation with CV control over the \u003cstrong\u003eDrag\u003c\/strong\u003e parameter you have an interesting voltage controlled oscillator. Modes 3-9 will allow the self-oscillation to track volt\/octave scaling. When using an external control voltage, the \u003cstrong\u003eDrag\u003c\/strong\u003e knob acts as an offset control for the incoming voltage. Due to the nature of the effect, the \u003cstrong\u003eDrag\u003c\/strong\u003e parameter responds to only positive voltages between 1.6 and 4.1 volts. When using a voltage between 0 and 1.6 volts, you can turn the \u003cstrong\u003eDrag\u003c\/strong\u003e knob clockwise to offset the incoming voltage to the response range. Please note that bipolar signals may need additional offset voltage from an external source to bring the entire control signal within the response range.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\u003cdiv class=\"col sqs-col-6 span-6\"\u003e\n\u003cbr\u003e\u003cdiv id=\"block-yui_3_17_2_1_1578923312901_31682\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cbr\u003e\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cbr\u003e\u003cp class=\"\"\u003eKeep in mind that the Afterneath is not intended to be a precision oscillator. When self-oscillating, it’s pitch is mostly based upon the note that is played into it. While feeding back, the original note will transform through various harmonic and enharmonic frequencies, depending on the levels of the \u003cstrong\u003eLength\u003c\/strong\u003e, \u003cstrong\u003eReflect\u003c\/strong\u003e and \u003cstrong\u003eDampen\u003c\/strong\u003e controls. Careful adjustment of the \u003cstrong\u003eLength\u003c\/strong\u003e and \u003cstrong\u003eReflect\u003c\/strong\u003e controls can allow you to sustain sounds in the buffer for longer periods of time without it becoming unstable.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43494443811069,"sku":"810019911484","price":409.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/eqdafteeurov1usa-bi-01.97.jpg?v=1768501482"},{"product_id":"aurelius-tri-voice-chorus","title":"EarthQuaker Devices Aurelius Tri-Voice Chorus","description":"\u003cp\u003e\u003cspan data-ogsc=\"rgb(47, 85, 151)\"\u003eThe Aurelius is not your run of the mill chorus pedal. This compact, beautifully cased wonder is a three mode chorus with six programmable presets and an expression control. Inspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else.\u003c\/span\u003e\u003cspan data-ogsc=\"rgb(47, 85, 151)\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan data-ogsc=\"rgb(47, 85, 151)\"\u003eChoose from Vibrato, Chorus and Rotary mode and manipulate their Width, Rate and Balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Just one simple tap of the Preset (Save\/Recall) and you can summon up to six settings of your choosing at will.\u003c\/span\u003e\u003cspan data-ogsc=\"rgb(47, 85, 151)\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan data-ogsc=\"rgb(47, 85, 151)\"\u003e\u003c\/span\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan data-ogsc=\"rgb(47, 84, 150)\"\u003eThree-mode chorus with the ability to save and recall six presets and user-assignable expression control   \u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan data-ogsc=\"rgb(47, 84, 150)\"\u003eInspired by the 1970s CE-1 Chorus Ensemble pedal, this digital unit has been fine-tuned to give you an all-encompassing chorus and vibrato experience\u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan data-ogsc=\"rgb(47, 84, 150)\"\u003eRotary mode captures the sound of a Leslie speaker’s rotating baffle system\u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan lang=\"fr\" data-ogsc=\"rgb(47, 84, 150)\"\u003eMode V: Chorus\/Vibrato        \u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan lang=\"fr\" data-ogsc=\"rgb(47, 84, 150)\"\u003eMode C: Chorus\/Flanger        \u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan data-ogsc=\"rgb(47, 84, 150)\"\u003eMode R: Rotary Chorus       \u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cspan data-ogsc=\"rgb(47, 84, 150)\"\u003eTwo global operating modes which are indicated by the color of the Save\/Recall switch: \u003c\/span\u003eGreen = Live Mode; Red = Preset Mode\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan data-ogsc=\"rgb(47, 84, 150)\"\u003eTrue bypass\u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\u003cspan data-ogsc=\"rgb(47, 84, 150)\"\u003eSilent relay-based switching with Flexi-Switch Technology\u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e\u003cbr\u003e\u003cp\u003e \u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43807342592253,"sku":"810019913297","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_5a2230e3-ac5f-4488-aeda-5838004bd665.jpg?v=1768501568"},{"product_id":"disaster-transport-delay-modulation-machine-limited-legacy-reissue","title":"EarthQuaker Devices Disaster Transport Delay Modulation Machine Limited Legacy Reissue","description":"\u003cp data-mce-fragment=\"1\"\u003eThis version of the \u003cspan data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eDisaster\u003c\/span\u003e Transport™ pedal has been redesigned so the delay line reduces the noise floor and improves the quality of the delay. The output is boosted with a cleaner mixing section; it’s now filtered to sound more like an analog delay than any of the previous versions. This delay pedal sits perfectly in the background with more of an evolved ambiance to it, but it can be dialed in for more of a dramatic effect of your choosing. \u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eA Mod Mode switch has been added that allows you to choose between bending (Bend) and stretching (Stretch) the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.  \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eThe newly added Mod Speed three-position toggle switch offers Slow (S), Fast (F), and Medium (M) settings. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eThe newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate Switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.  \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003ch3 data-mce-fragment=\"1\"\u003e\n\u003cbr\u003e\u003cstrong data-mce-fragment=\"1\"\u003eControls\u003c\/strong\u003e \u003c\/h3\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eRate\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- Controls the speed of the modulation. The Rate operates in three ranges (Slow\/Fast\/Medium) selected by the Mod Speed toggle switch. The \u003cspan data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\" data-mce-fragment=\"1\"\u003eDisaster\u003c\/span\u003e Transport uses a Ramp wave for the modulation. You’ll find this to be much more intense than most modulated delays. Think of it as a traditional Triangle wave that falls off a cliff in mid-cycle, creating a drastic pitch bend in its wake. Or don’t and just think about whatever you want.\u003c\/span\u003e \u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eIntensity\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- Controls how much the LFO modulates the delay time. More subtle chorus type effects are achieved with less intensity and more intensity will yield wild pitch stretching and bending. The overall modulation style can be made more or less subtle by using the Mod Mode toggle switch to select Bend or Stretch. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eMix\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- Sets the volume level for the delay signal. Hear more of what you just played 30-600ms ago by turning this up. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eRepeats\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- Controls the intensity of delay feedback from no repeats at zero to self-oscillation at max. Let the past pile up on you until it implodes. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eTime\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- Sets the delay time from around 30ms at zero to 600ms at max. Everyone needs more time; all we can offer you is about 600ms worth. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eMod Speed\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- Three position toggle switch that sets the range in which the rate operates.\u003c\/span\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eMod Mode\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- Two position toggle switch to choose the modulation style. Bend is more of a traditional chorus type modulation and Stretch is a wilder pitch stretching modulation. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eModulate\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- This foot-operated switch features Flexi-Switch® Technology and turns the modulation on and off. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003eActivate\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"font-style: inherit; font-weight: inherit;\" data-ogsc=\"black\" data-mce-fragment=\"1\" data-mce-style=\"font-style: inherit; font-weight: inherit;\"\u003e- This foot-operated switch features Flexi-Switch® Technology and turns the effect on and off.\u003c\/span\u003e\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43942497288445,"sku":"810019913181","price":239.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/Disaster-Transport-Reissue.jpg?v=1768501399"},{"product_id":"sunn-o-life-pedal-v3-limited-edition-white","title":"EarthQuaker Devices Sunn O))) Life Pedal V3 Limited Edition White Fuzz Distortion","description":"\u003cp\u003e\u003cspan\u003eThese are part of a limited edition run White which only available in Canada through Pedalzoo.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cspan\u003eLife Pedal V3 Limited Edition White.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eSunn O))) and EarthQuaker Devices are pleased to bring you \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e Volume III.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e V3 circuit has been meticulously tweaked from the original to squeeze every last drop of heavy crushing tone available. The octave section has been fine tuned to make it more pronounced without losing the bottom end and we added a third footswitch, utilizing Flexi Switch Technology, for the octave to allow an additional method of quick and radical tone shaping. We are excited to have this back in permanent production, it is a true labor of love.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eBirth of a \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003e\u003cbr aria-hidden=\"true\" data-mce-fragment=\"1\"\u003eIn the writing sessions for \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e Metal Stephen \u0026amp; Greg worked extensively shearing their tones toward a broader energy spectrum over high powered saturation and across planes of sonic character, with the ambition to take full advantage of Steve Albini’s (the recording engineer for the album) exacting capture skills.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe results are astounding: there is breadth and luminosity of colour, vast sonic cosmoses, flashes of abstract colour (synthetic and objective) through resulting themes which emerged from the mastered depths of saturation and circuits between the two players and their mountains of gear.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is designed to represent the core front end chain used in those sessions, to drive the tubes of the band’s multiple vintage Sunn O))) Model T amplifiers (or take your fancy) into overload ecstasy. This is a 100w tube amp full stack’s holy dream, or its apostate nightmare.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eAn octave fuzz inspired by the Shin-Ei FY2 \u0026amp; FY6 units leads the circuit into a brutal big box rodent inspired distortion, recreated with the best components, and including a three-way clipping switch (op Amp, Asymmetric \u0026amp; Symmetric). Second stage is a purely clean boost to further overdrive the preamp tubes of your vintage system into -scaped harmonics, and feedback overtone bliss.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eChasms are cleared, mountains sheared, glaciers calved, novæ birthed. Vintage valve amplifiers recommended. We hope you transcend.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eDesigned and manufactured by EarthQuaker Devices in the dark corridors of Akron, Ohio.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eWhat is it?\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003e\u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is a distortion with a blendable analog octave up and a booster combined in one compact package. The “Amplitude” side is faithfully modeled after the classic “White Face” distortion unit, using modern, reliable components to last a \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003elife\u003c\/span\u003etime. The only modifications made to the original circuit are in the clipping section. The traditional circuit uses a single pair of silicon diodes for a tight, compressed crunch. The \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e introduces two additional clipping options to better adapt to different rigs. The first position is no diodes to allow for full, grinding Op Amp assault at maximum volume. The second position utilizes two silicon diodes and one LED in an asymmetrical clipping configuration. This delivers a slightly compressed and smooth crunch, similar to a valve amplifier. The last position is the stock double silicon diode configuration which provides that classic tone you know and love.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe Octave in \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is an all-discrete, analog full-wave rectifier base on a classic vintage design. Located at the input of the circuit, the Octave control slowly blends in the octave effects as you turn it clockwise. This feature can also be used via expression control allowing for wild, hands-free octave swells mid-riff or using the footswitch for immediate octave fuzz destruction. Because this is an analog octave effect, it is monophonic and works best playing single notes above the twelfth fret while using the neck pickup. Playing chords with the analog octave will sound clanging and chaotic. Using the bridge pickup and playing below the twelfth fret will produce a very subtle octave effect. Going full Octave transforms \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e from a simple distortion device into a swelling, raging fuzz similar to the classic Super Fuzz!\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe “Magnitude” section of \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"mark4gam4lpmv\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003eLife\u003c\/span\u003e \u003cspan data-ogsb=\"\" data-ogsc=\"\" data-ogab=\"\" data-ogac=\"\" class=\"markkcvh3e9hf\" data-markjs=\"true\" data-mce-fragment=\"1\"\u003ePedal\u003c\/span\u003e is a simple all-discrete MOSFET booster designed to blast your preamp tubes and drive them wild. It is a 100% clean, no-nonsense, high impedance booster that adds very little color to your tone. It does not add distortion on its own but has plenty of output to push your amp into saturation.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003eThe signal path goes Octave\u0026gt;Distortion\u0026gt;Boost. The octave distortion and booster can be used independently with their own respective foot switches. The Petrine Cross is the octave distortion and the Christian Cross is the booster.\u003c\/span\u003e\u003cspan data-ogsc=\"rgb(59, 56, 56)\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":43944272560381,"sku":"810019913167","price":405.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/Sunn-O_-Life-Pedal-White.jpg?v=1768501439"},{"product_id":"ledges-tri-dimensional-reverberation-machine","title":"EarthQuaker Devices Ledges Tri-Dimensional Reverberation Machine","description":"\u003cmeta charset=\"UTF-8\"\u003e\u003cbr\u003e\u003cp class=\"x_xmsonormal\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"searchHighlight\" data-mce-fragment=\"1\"\u003eLedges\u003c\/span\u003e is a three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From classic, standard reverb tones to undiscovered sonic reaches, it’s everything you’ve ever wanted and needed out of a reverb. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"x_xmsonormal\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe three switchable modes each deliver a unique blend of reverb, but are connected through a spectrum where the Room (R) reverb’s longest setting is the Hall (H) reverb’s shortest setting, the Hall reverb’s longest setting is the Plate’s (P) shortest setting, and the Plate’s longest setting just keeps on going. The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up. As you increase the Hall setting, it morphs into a Cathedrals™-style reverb that becomes really big, boomy and echoey with distant reflections. Turn up the Plate setting to get bouncy reflections that recycle and reverberate forever. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"x_xmsonormal\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan class=\"searchHighlight\" data-mce-fragment=\"1\"\u003eLedges\u003c\/span\u003e can go from an ‘80s slapback reverb mix to a bigger room spring reverb with the twist of the dials. \u003cb data-mce-fragment=\"1\"\u003eThe Mix knob\u003c\/b\u003e lets you control how much your signal is affected, while \u003cb data-mce-fragment=\"1\"\u003ethe Length knob\u003c\/b\u003e controls the size of the reverb. \u003cb data-mce-fragment=\"1\"\u003eThe Damping knob\u003c\/b\u003e subtly mutes the high-frequency reflections of the reverb, which you’ll hear clearly by adjusting your gain. \u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp class=\"x_xmsonormal\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn addition to all of the features, there are six Presets available. Simply select a number with the switchable knob and then engage the Save on the center button and dial in your perfect sound. A quick Recall on the same button and you have all of your personalized reverb sounds with a single tap. You can assign an expression pedal to each of the three controls and then save it all in the presets.\u003c\/span\u003e\u003c\/p\u003e\u003cbr\u003e\u003cul type=\"disc\"\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eThree-mode reverb with the ability to save and recall six presets and user-assignable expression control  \u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eMix, Length, and Damping knobs dial in the sound in each of the 3 modes\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eMode R: The Room setting at its shortest achieves a small, boxy room sound that gradually gets bigger as you turn it up\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eMode H: The Hall setting becomes really big, boomy, and echoey with distant reflections\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eMode P: The Plate setting creates bouncy reflections that recycle and reverberate forever\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eUser-assignable expression control\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eTwo global operating modes which are indicated by the color of the \u003cem\u003eSave\/Recall \u003c\/em\u003eswitch:        \u003c\/li\u003e\n\u003cbr\u003e\u003cul type=\"circle\"\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eGreen = Live Mode\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eRed = Preset Mode\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eBuffered bypass with tails\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eSilent relay-based switching with Flexi-Switch Technology\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eLifetime warranty\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eCurrent Draw: 75 mA\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eInput Impedance: 500 kΩ\u003c\/li\u003e\n\u003cbr\u003e\u003cli class=\"x_xmsonormal\"\u003eOutput Impedance: 100 Ω\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44031195054333,"sku":"810019913617","price":269.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/medium_da28d2ad-fb79-4da0-9f0b-7e47cf19e73d.jpg?v=1768501588"},{"product_id":"earthquaker-devices-zoar-dynamic-audio-grinder","title":"EarthQuaker Devices Zoar Dynamic Audio Grinder Distortion","description":"Zoar™ is a highly interactive medium-high gain discrete distortion (using only transistors; no opamps or diodes in here!) that has that highly sought after touch sensitive amp-like quality. It has been finely tuned to create a highly tweakable hi-fi and modern sounding distortion, but with the ghosts of old school circuitry to deliver a grind that is both instantly familiar and delightfully unique.\u003cbr\u003e\u003cbr\u003eFrom defined sparkle and tightness of an overdrive to low-medium gain fuzz that’s perfect for drop tuned guitars and basses, Zoar can do it all. Zoar lets you dial in and control every nuance of your tone from jangly on-the-verge of break up to blowing the walls out heavy saturation.\u003cbr\u003e\u003cbr\u003eWhile having its roots in a very familiar past, the passive 3-band EQ has been finely tuned for modern tones. While this style of tone shaping seems simple on the surface, it is deceptively complex and highly interactive - yet surprisingly easy to instantly dial in dozens of mind blowing sounds.  \u003cbr\u003e\u003cbr\u003eThis meticulously crafted box has six knobs that allow you to truly customize your sound with the Level, Weight, Gain, Bass, Middle, and Treble controls. \u003cbr\u003e\u003cbr\u003eThe Gain control on Zoar™ goes from the edge of break up all the way over the cliff into the crunchy, grinding abyss. The character of the distortion is heavily dependent on the setting of the Weight control as well as the pickup type and further fine-tuned by the EQ section.\u003cbr\u003e\u003cbr\u003eThe 3-Band EQ and Gain controls give you nearly unlimited options with great focus and sensitive precision, but the real powerhouse of Zoar™ is the Weight control. This control dictates the amount of low end that is passed into the circuit, thus controlling the entire character of the pedal. Simply dial in the 3-Band EQ to 12 o’clock and adjust the Weight to see how drastically it dictates your sound. From a mere clean boost to a high gain distortion to overdrive to the crispy Hi-Fi fuzz territory, this function gives you everything.\u003cbr\u003e\u003cbr\u003eThe Level control hits unity around noon, but this is dependent on where the other controls are set. In addition to controlling the output volume, it also plays a small part in controlling the voice of Zoar™. By adjusting the Level control with any combination of EQ (boosting the frequency bands and cutting the output volume), you can achieve drastically different curves that have the feel of the more traditional low pass filter type tone control.\u003cbr\u003e\u003cbr\u003eWant to elevate your sonic spirit to a higher level? Try running Zoar™ at higher voltage! Zoar™ can handle power up to 18v DC. Higher voltages will yield a different frequency response with more defined dynamics and a faster response. When powered at 18v, the range of clean tones are widened, dirty tones become punchier with better note articulation, low frequencies are tightened, higher frequencies will cover a broader spectrum without becoming harsh and the output volume nearly doubles! The experience is not unlike plugging into a wall of high wattage tube amplifiers!","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44121586368765,"sku":"810019913631","price":199.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/medium_68258a97-dc2c-40ca-97cc-d30d113eabb5.jpg?v=1768501629"},{"product_id":"earthquaker-devices-blumes-low-signal-shredder","title":"EarthQuaker Devices Blumes Low Signal Shredder Bass Overdrive","description":"Low Signal Shredder\u003cbr\u003e\u003cbr\u003eBlumes is an all-analog tri-mode soft clipping bass overdrive that\u003cbr\u003ecarries the torch of the classic screamer circuit but has a voice all\u003cbr\u003eits own. While embodying most of the characteristics and features\u003cbr\u003eof our beloved Plumes® Small Signal Shredder, this modified circuit\u003cbr\u003ehas double the gain and a deeper bass response to retain all the low\u003cbr\u003eend. It utilizes internal bipolar power, which gives you more dynamics\u003cbr\u003eand all the headroom you could ever desire. The end result is a\u003cbr\u003ethree-dimensional tone with added clarity that really pushes a nice\u003cbr\u003etube amp over the edge.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eBass overdrive based on the Plumes\u003c\/li\u003e\n\u003cli\u003eDeep bass response\u003c\/li\u003e\n\u003cli\u003eTwice as much gain as the Plumes\u003c\/li\u003e\n\u003cli\u003eFeatures 3 different clipping options: symmetrical LED, asymmetrical silicon, and no diode OpAmp drive\u003c\/li\u003e\n\u003cli\u003eOperates on internal bipolar power for more headroom and signal integrity\u003c\/li\u003e\n\u003cli\u003eFeatures EarthQuaker Devices’ proprietary Flexi-Switch® Technology\u003c\/li\u003e\n\u003cli\u003eAll-analog signal path\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44383711199485,"sku":"810019913884","price":159.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/medium_282857e5-fe91-4fc3-a01b-ce40c25aa9f5.jpg?v=1768501663"},{"product_id":"earthquaker-devices-the-wave-transformer-eurorack-module-transfiguration-oscillator","title":"EarthQuaker Devices The Wave Transformer Eurorack Module Transfiguration Oscillator","description":"The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis. Rotating the Transform control will vary the Complex output from a simple waveform to a complex, gnarled mass of audio mutations.\u003cbr\u003e\u003cbr\u003e- 100% Analogue Circuit\u003cbr\u003e- Over 8 octaves of pitch tracking starting from A-1 (13.75Hz), covering more than the full range of a traditional piano keyboard\u003cbr\u003e- 7 simultaneous waveform outputs.\u003cbr\u003e- Dedicated attenuators\/attenu-verters for each CV input\u003cbr\u003e- Exponential and Linear Frequency Modulation inputs.\u003cbr\u003e- Hard and soft sync inputs\u003cbr\u003e- Pulse width control between 0% and 100%.\u003cbr\u003e- Fixed -1 octave 25% duty cycle suboctave pulse output\u003cbr\u003e- Sub Square output switchable between 1 and 2 octaves down\u003cbr\u003e- Complex Source Mute switch allows simultaneous control of volume and timbre up to audio rates via the Transform CV input.\u003cbr\u003e - Lifetime warranty\u003cbr\u003e- Dimensions: 20HP \/ Max Depth: 1” \/25.4 mm\u003cbr\u003e- Current Draw: 90 mA max from the +12v rail, 90 mA max from the -12v rail\u003cbr\u003e- Standard 10-pin Eurorack power connector with a marking to notate the negative pins\u003cbr\u003e- Reverse Voltage Protection\u003cbr\u003e- Over-current protection on all outputs\u003cbr\u003e- Skiff friendly – protrudes less than 1” (25.4 mm) behind the panel with the power header installed\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e100% Analogue\u003c\/li\u003e\n\u003cli\u003e7 audio outputs\u003c\/li\u003e\n\u003cli\u003eComplex single oscillator\u003c\/li\u003e\n\u003cli\u003eA unique Wave Transformation circuit\u003c\/li\u003e\n\u003cli\u003eFrom a simple waveform to a complex, gnarled mass of audio mutations\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44424820424957,"sku":"810019913877","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/medium_2c2ef05a-558f-4817-ad58-c063fc3d7c89.jpg?v=1768501667"},{"product_id":"earthquaker-devices-pyramids-stereo-flanger","title":"EarthQuaker Devices Pyramids Stereo Flanger","description":"Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don’t see on a flanger every day.\u003cbr\u003e\u003cbr\u003eBuilt upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I\/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that’s sure to tickle your third ear.\u003cbr\u003e\u003cbr\u003eModes:\u003cbr\u003e\u003cbr\u003eClassic: Delivers the “classic” jet-plane liquid-silk flanging sound we all know and love and have come to expect from any reputable flanging device. \u003cbr\u003e\u003cbr\u003eThrough-Zero: Gives you authentic tape-style flanging without all the calibration, biasing, demagnetizing of heads, and so on that a real tape machine - two of ‘em, actually - requires.\u003cbr\u003e\u003cbr\u003eBarber Pole Up: “Barber Pole” flanging refers to an infinitely sweeping upward flange with no beginning, middle, or end.\u003cbr\u003e\u003cbr\u003eBarber Pole Down: Barber Pole Down is exactly like Barber Pole Up, except the flanging effect goes downward in pitch, rather than upward. \u003cbr\u003e\u003cbr\u003eTrigger Up: Similar to Barber Pole Up mode, except in this mode, your pick attack (or pressing the Tap\/Trigger switch) re-triggers the flange from the beginning.\u003cbr\u003e\u003cbr\u003eTrigger Down: Trigger Down is exactly the same as Trigger Up, only the flanger sweeps downward.\u003cbr\u003e\u003cbr\u003eStep: Step mode tries to restore order to the universe by sweeping up and down in stepped increments, kind of like the sequencer on a synthesizer.\u003cbr\u003e\u003cbr\u003eRandom: Random mode is like Step mode, except the sweep is randomized without reason or rhyme.\u003cbr\u003e\u003cbr\u003eControls:\u003cbr\u003e\u003cbr\u003e1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.\u003cbr\u003e\u003cbr\u003e2. Rate: Controls the speed of the LFO as well as the rise time in “Trigger Up”  mode  and fall time in “Trigger Down” mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate \u0026amp; Tap toggle switch.\u003cbr\u003e\u003cbr\u003e3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.\u003cbr\u003e\u003cbr\u003e4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.\u003cbr\u003e\u003cbr\u003e5. Activate Footswitch: The activate switch features our Flexi-Switch™ technology! This relay-based true-bypass switch allows for momentary or latching operation.\u003cbr\u003e\u003cbr\u003e6. Feedback: Regeneration control for the modulated signal.\u003cbr\u003e\u003cbr\u003e7. Rate \u0026amp; Tap Toggle Switch: “Normal” (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to “Slow” (left position), the tempo you tap is divided for a slower sweep. When set to “Fast” (right position), the tempo you tap is multiplied and delivers a faster sweep.\u003cbr\u003e\u003cbr\u003e8. Modify: The behavior of this control depends upon which mode you’re using.\u003cbr\u003e\u003cbr\u003e9. Tap \/ Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.\u003cbr\u003e\u003cbr\u003e10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you’re allowed to re-write them if you want. We don’t mind.\u003cbr\u003e\u003cbr\u003e11. Mode Rotary Switch: Selects between Pyramids’ eight flanger modes.\u003cbr\u003e\u003cbr\u003ePresets\u003cbr\u003e\u003cbr\u003ePyramids ships with five example factory presets:\u003cbr\u003e1- Classic\u003cbr\u003e2- Barber Pole Up\u003cbr\u003e3- Trigger Up\u003cbr\u003e4- Step\u003cbr\u003e5- Random\u003cbr\u003eThese are intended to get you started and are by no means the be-all-end-all examples of these modes. Please feel free to modify or overwrite these as you’d like!\u003cbr\u003e\u003cbr\u003eInputs \u0026amp; Outputs\u003cbr\u003e\u003cbr\u003eTo Use Pyramids in Mono\u003cbr\u003ePlug your instrument into the Left Input and use either the Left Output or the Right Output.\u003cbr\u003e\u003cbr\u003eTo Use Pyramids with a Mono Input and Stereo Output\u003cbr\u003ePlug your instrument into the Left Input and connect both the Left Output and Right Output to the next stereo pedal in your chain, to two inputs of your DAW, or to two amplifiers.\u003cbr\u003e\u003cbr\u003eTo Use Pyramids with a Stereo Input and Stereo Output\u003cbr\u003ePlug your stereo instrument into the Left Input and Right Input and connect both the Left Output and Right Output to the next stereo pedal in your chain, to two inputs of your DAW, or to two amplifiers. Pyramids is true stereo and will pan across the stereo field.\u003cbr\u003e\u003cbr\u003eTo Use Pyramids with Two Mono Sources\u003cbr\u003ePlug one instrument into the Left Input and connect the Left Output to the next pedal in your chain, to a DAW input, or to an amplifier. Then, plug another instrument into the Right Input and connect the Right Output to the next pedal in a separate effects chain, to a separate DAW input, or to a separate amplifier. I have no idea why anyone would want to do this, but it’ll work.\u003cbr\u003e\u003cbr\u003ePro Tip\u003cbr\u003eIn Trigger Up\/Down modes, you may re-trigger the flanger using an external source in what we call Side Chain Flanging. To trigger Pyramids using an external source, plug your primary instrument (the signal on which you want to hear the flanger) into the Right Input and connect Pyramids’ Right Output to your amplifier or DAW. Connect the external trigger source (drum machine, sequencer, or CV) to Pyramids’ Left Input. To hear only the affected primary instrument signal (as modulated by the external trigger source), do not connect the Left Output. Your primary instrument’s signal will pass through Pyramids’ Right Input \/ Output, but the flanger will react to changes in the external trigger signal instead of your primary instrument. To monitor the trigger source, connect Pyramids’ Left Output to a separate amplifier or DAW input.\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFlanging Device with 5 presets\u003c\/li\u003e\n\u003cli\u003e8 flanger modes\u003c\/li\u003e\n\u003cli\u003eTap tempo\u003c\/li\u003e\n\u003cli\u003eMultifunction Modify control\u003c\/li\u003e\n\u003cli\u003ePositive and negative Feedback\u003c\/li\u003e\n\u003cli\u003eVariable Mix control\u003c\/li\u003e\n\u003cli\u003eConvincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I\/O routing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44548915134717,"sku":"855755007022","price":479.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/medium_f54b4d83-9570-4f7c-9408-d33dd04d4138.jpg?v=1768501680"},{"product_id":"earthquaker-devices-solar-eclipse-pyramids-stereo-flanger","title":"EarthQuaker Devices Solar Eclipse Pyramids Stereo Flanger","description":"Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don’t see on a flanger every day.\u003cbr\u003e\u003cbr\u003eBuilt upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I\/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that’s sure to tickle your third ear.\u003cbr\u003e\u003cbr\u003eModes:\u003cbr\u003e\u003cbr\u003eClassic: Delivers the “classic” jet-plane liquid-silk flanging sound we all know and love and have come to expect from any reputable flanging device. \u003cbr\u003e\u003cbr\u003eThrough-Zero: Gives you authentic tape-style flanging without all the calibration, biasing, demagnetizing of heads, and so on that a real tape machine - two of ‘em, actually - requires.\u003cbr\u003e\u003cbr\u003eBarber Pole Up: “Barber Pole” flanging refers to an infinitely sweeping upward flange with no beginning, middle, or end.\u003cbr\u003e\u003cbr\u003eBarber Pole Down: Barber Pole Down is exactly like Barber Pole Up, except the flanging effect goes downward in pitch, rather than upward. \u003cbr\u003e\u003cbr\u003eTrigger Up: Similar to Barber Pole Up mode, except in this mode, your pick attack (or pressing the Tap\/Trigger switch) re-triggers the flange from the beginning.\u003cbr\u003e\u003cbr\u003eTrigger Down: Trigger Down is exactly the same as Trigger Up, only the flanger sweeps downward.\u003cbr\u003e\u003cbr\u003eStep: Step mode tries to restore order to the universe by sweeping up and down in stepped increments, kind of like the sequencer on a synthesizer.\u003cbr\u003e\u003cbr\u003eRandom: Random mode is like Step mode, except the sweep is randomized without reason or rhyme.\u003cbr\u003e\u003cbr\u003eControls:\u003cbr\u003e\u003cbr\u003e1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.\u003cbr\u003e\u003cbr\u003e2. Rate: Controls the speed of the LFO as well as the rise time in “Trigger Up”  mode  and fall time in “Trigger Down” mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate \u0026amp; Tap toggle switch.\u003cbr\u003e\u003cbr\u003e3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.\u003cbr\u003e\u003cbr\u003e4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.\u003cbr\u003e\u003cbr\u003e5. Activate Footswitch: The activate switch features our Flexi-Switch™ technology! This relay-based true-bypass switch allows for momentary or latching operation.\u003cbr\u003e\u003cbr\u003e6. Feedback: Regeneration control for the modulated signal.\u003cbr\u003e\u003cbr\u003e7. Rate \u0026amp; Tap Toggle Switch: “Normal” (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to “Slow” (left position), the tempo you tap is divided for a slower sweep. When set to “Fast” (right position), the tempo you tap is multiplied and delivers a faster sweep.\u003cbr\u003e\u003cbr\u003e8. Modify: The behavior of this control depends upon which mode you’re using.\u003cbr\u003e\u003cbr\u003e9. Tap \/ Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.\u003cbr\u003e\u003cbr\u003e10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you’re allowed to re-write them if you want. We don’t mind.\u003cbr\u003e\u003cbr\u003e11. Mode Rotary Switch: Selects between Pyramids’ eight flanger modes.\u003cbr\u003e\u003cbr\u003ePresets\u003cbr\u003e\u003cbr\u003ePyramids ships with five example factory presets:\u003cbr\u003e1- Classic\u003cbr\u003e2- Barber Pole Up\u003cbr\u003e3- Trigger Up\u003cbr\u003e4- Step\u003cbr\u003e5- Random\u003cbr\u003eThese are intended to get you started and are by no means the be-all-end-all examples of these modes. Please feel free to modify or overwrite these as you’d like!\u003cbr\u003e\u003cbr\u003eInputs \u0026amp; Outputs\u003cbr\u003e\u003cbr\u003eTo Use Pyramids in Mono\u003cbr\u003ePlug your instrument into the Left Input and use either the Left Output or the Right Output.\u003cbr\u003e\u003cbr\u003eTo Use Pyramids with a Mono Input and Stereo Output\u003cbr\u003ePlug your instrument into the Left Input and connect both the Left Output and Right Output to the next stereo pedal in your chain, to two inputs of your DAW, or to two amplifiers.\u003cbr\u003e\u003cbr\u003eTo Use Pyramids with a Stereo Input and Stereo Output\u003cbr\u003ePlug your stereo instrument into the Left Input and Right Input and connect both the Left Output and Right Output to the next stereo pedal in your chain, to two inputs of your DAW, or to two amplifiers. Pyramids is true stereo and will pan across the stereo field.\u003cbr\u003e\u003cbr\u003eTo Use Pyramids with Two Mono Sources\u003cbr\u003ePlug one instrument into the Left Input and connect the Left Output to the next pedal in your chain, to a DAW input, or to an amplifier. Then, plug another instrument into the Right Input and connect the Right Output to the next pedal in a separate effects chain, to a separate DAW input, or to a separate amplifier. I have no idea why anyone would want to do this, but it’ll work.\u003cbr\u003e\u003cbr\u003ePro Tip\u003cbr\u003eIn Trigger Up\/Down modes, you may re-trigger the flanger using an external source in what we call Side Chain Flanging. To trigger Pyramids using an external source, plug your primary instrument (the signal on which you want to hear the flanger) into the Right Input and connect Pyramids’ Right Output to your amplifier or DAW. Connect the external trigger source (drum machine, sequencer, or CV) to Pyramids’ Left Input. To hear only the affected primary instrument signal (as modulated by the external trigger source), do not connect the Left Output. Your primary instrument’s signal will pass through Pyramids’ Right Input \/ Output, but the flanger will react to changes in the external trigger signal instead of your primary instrument. 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The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e1. Time:\u003c\/strong\u003e This controls the delay time and goes from 0ms to just under 2000ms.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e2. Repeats:\u003c\/strong\u003e Controls the regeneration of the delay, from zero repeats to near infinite.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e3. Tone:\u003c\/strong\u003e Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e4. Mix:\u003c\/strong\u003e The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e5. Expression Jack Assign Switch:\u003c\/strong\u003e Use this switch to map the expression jack to one of the assigned controls.\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eDecay:\u003c\/strong\u003e Controls the reverb decay length\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eR Mix:\u003c\/strong\u003e Controls the reverb mix\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eTime:\u003c\/strong\u003e This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eRepeats:\u003c\/strong\u003e Controls the delay repeats\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eD Mix:\u003c\/strong\u003e Controls the delay mix\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eToggle:\u003c\/strong\u003e This takes over for the toggle switch and will cross fade from forward delay in heel down position to reverse delay in toe down position.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e6. Ratio Selector Switch:\u003c\/strong\u003e Selects delay subdivisions when time is set by the “Tap” switch.\u003c\/p\u003e\u003cbr\u003e\u003cul\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e1\/1:\u003c\/strong\u003e Quarter Note\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e3\/4:\u003c\/strong\u003e Dotted 8th\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e2\/3:\u003c\/strong\u003e Quarter Note Triplet\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e1\/2:\u003c\/strong\u003e 8th Note\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e1\/3:\u003c\/strong\u003e 8th Note Triplet\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\u003cli\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e1\/4: \u003c\/strong\u003e16th Note\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/li\u003e\n\u003cbr\u003e\n\u003c\/ul\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e7. Decay:\u003c\/strong\u003e Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e8. Toggle Switch (Mode Selector)\u003c\/strong\u003e\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eNormal:\u003c\/strong\u003e This is the “standard” delay and reverb mode\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eReverse:\u003c\/strong\u003e This is reverse delay mode with “standard” reverb\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eSwell:\u003c\/strong\u003e This is the volume swell mode\u003c\/p\u003e\u003cbr\u003e\u003cp\u003e\u003cstrong\u003e9. Mix:\u003c\/strong\u003e This is the volume control for the reverb. Blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eDreamy stereosonic exploratory delay and rverb pedal\u003c\/li\u003e\n\u003cli\u003eCustom  Aurora Borealis appearance\u003c\/li\u003e\n\u003cli\u003eUp to 2 seconds of delay time\u003c\/li\u003e\n\u003cli\u003eReverse delay\u003c\/li\u003e\n\u003cli\u003eTap tempo with subdivision control\u003c\/li\u003e\n\u003cli\u003eSwitchable true bypass or buffered bypass with 5 different tail lengths\u003c\/li\u003e\n\u003cli\u003eAssignable expression control\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44551477690621,"sku":"810019914041","price":479.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/products\/medium_1aaf6e1d-bc84-4706-95e0-3536e251338a.jpg?v=1768501681"},{"product_id":"spatial-delivery-v3-envelope-filter-w-sample-hold","title":"EarthQuaker Devices Spatial Delivery V3 Envelope Filter w\/ Sample \u0026 Hold","description":"We took the already cosmic, original Spatial Delivery and added six presets to store all those favorite settings, from dissonant sweeps to rhythmic auto-wah frequencies to oscillating robot gibberish. Find and save your favorite filtered frequency…forever! Or, for ten minutes, until you find six new favorites. We also added expression control after hundreds – heck, thousands - of requests! The expression jack assignment can be saved and recalled in any of the slots, so that signature sounds are readily available with a quick tap of the switch. Save your settings confidently and quickly, no menu diving required!\u003cbr\u003e\u003cbr\u003eFor all the Spatial Delivery diehards, all of the funky, familiar features of the original are still in place. It boasts three modes - switchable Up Sweep, Down Sweep and Sample and Hold functions – along with Range, Resonance and Filter controls. Get some wild filter sweeps with the Up and Down modes and adjust the Range to control the sensitivity and reaction time of the envelope, altering the width of the frequency sweep. In the Sample and Hold mode, the Filter is controlled by random voltage and the Range controls the speed. The Filter can be crossfaded between high pass (counterclockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice. Try to find something funky and formidable that the Spatial Delivery can’t do – we dare you!\u003cbr\u003e\u003cbr\u003eV3 update to our popular three-mode envelope filter with the added ability to save and recall six presets and user-assignable expression control  \u003cbr\u003eRange, Filter, and Resonance knobs dial in the sound in each of the 3 modes\u003cbr\u003eMode Up: Sweeps the filter up\u003cbr\u003eMode SH: The filter is controlled by random voltage and the Range controls the speed\u003cbr\u003eMode Dn: Sweeps the filter down\u003cbr\u003eUser-assignable expression control\u003cbr\u003eTwo global operating modes which are indicated by the color of the Save\/Recall switch:        \u003cbr\u003eGreen = Live Mode\u003cbr\u003eRed = Preset Mode\u003cbr\u003eTrue bypass\u003cbr\u003eSilent relay-based switching with Flexi-Switch® Technology\u003cbr\u003eLifetime warranty\u003cbr\u003eCurrent Draw: 75 mA\u003cbr\u003eInput Impedance: 500 kΩ\u003cbr\u003eOutput Impedance: 100 Ω\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eSave and recall six presets\u003c\/li\u003e\n\u003cli\u003eUser-assignable expression control\u003c\/li\u003e\n\u003cli\u003eFrom dissonant sweeps to rhythmic auto-wah frequencies to oscillating robot gibberish.\u003c\/li\u003e\n\u003cli\u003eNo menu diving required\u003c\/li\u003e\n\u003cli\u003eFunky, familiar features of the original\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"EarthQuaker Devices","offers":[{"title":"Default Title","offer_id":44764234055933,"sku":"810019913969","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium.jpg?v=1768501688"},{"product_id":"death-by-audio-time-shadows-ii-subharmonic-multi-delay-resonator","title":"EarthQuaker Devices Time Shadows II Subharmonic Multi-Delay Resonator","description":"The latest EarthQuaker Device actually is the same as the latest Death By Audio device. This new pedal is a joint collaboration that brings their sonic soundscape trips to your melted mind.\u003cbr\u003e \u003cbr\u003eWith the switch to the left Time Shadow's controls are completely the brainchild of EarthQuaker Devices resident genius Jamie Stillman. Flip the switch to the right, and you enter the head of the madman Oliver Ackermann from Death By Audio barely clutching to reality. Place the switch in the middle and enter a whole new realm of pitch warping delays brought to you by a telepathic mind-meld with a 5th dimensional dream being.\u003cbr\u003e \u003cbr\u003eAll three sounds are wildly different from each other and yet share a perfectly designed harmony to be completely complementary and suitable for every style and genre of music. The EarthQuaker Devices side transforms whatever you play into the sound of a jazz space bazooka! It's a pitch morphed fuzz delay filter with so much attitude that you are actually intimidated. It takes the input signal, blows it out with power of digital distortion, blends it with a polyphonic sub octave, feeds it into a delay, then spits it out into a highly resonant envelope controlled lowpass filter. The Death By Audio side is a multi-delay filter remorphinator that goes from icy shimmers to cosmic space caves of bouncing repeats. The middle position is an energy beam that brings your earthly transmissions repetitively closer to the heavens while simultaneously diving deep into the hells.\u003cbr\u003e \u003cbr\u003eIn addition to all this madness we also bring you a user assignable expression jack and 6 preset slots to save and recall your favorite settings!\u003cbr\u003e \u003cbr\u003eWith these three unearthly delights, you should have everything you need to break brains and destroy monotony!\u003cbr\u003e\u003cbr\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003eTwo global operating modes which are indicated by the color of the \u003cem\u003eSave\/Recall \u003c\/em\u003eswitch:     \u003c\/strong\u003e\u003c\/li\u003e\u003c\/ul\u003e\u003cstrong\u003eGreen = Live Mode\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eRed = Preset Mode\u003c\/strong\u003e\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eTrue bypass\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSilent relay-based switching with Flexi-Switch® Technology\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\u003cbr\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":45025861435645,"sku":"810019914331","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_9685f9c3-66f7-4196-a7d6-a8092fcd143d.jpg?v=1768501702"},{"product_id":"silos-multi-generational-time-reflection-device","title":"EarthQuaker Devices Silos Multi-Generational Time Reflection Device","description":"Are you tired of trying to fit all of your favorite delays onto your already overflowing pedalboard? Did you constantly have trouble choosing just one pedal to serve as the catalyst of your echo-centric musings? Had you wished that a pedal company would give you more bang for your buck by merging multiple classic delay effects into one simple little box? Well hold on to your whammy bar, because your problems are solved now that you’ve found the new Silos Multi-Generational Time Reflection Device!\u003cbr\u003e \u003cbr\u003eThat’s right, we’ve taken a digital delay, an analog delay, and a tape delay and merged them all together as one pedal with six presets, a tap-tempo, and user assignable expression control. Take a moment to compose yourself, we totally understand. Let us give you a little backstory; it all started when EQD founder Jamie Stillman was admiring his three favorite delay pedals from his personal collection and began ruminating on their vast differences. This sparked an ambitious foray into uncharted territory in finding a way to assemble them all together as one uncomplicated unit. After months of tinkering, his mission was accomplished and the Silos was born. With just four knobs, one three-way switch, one Save\/Recall button, and two footswitches, he made the impossible possible and now your guitar playing shall reap the rewards!\u003cbr\u003e \u003cbr\u003eEach of the three modes offers up to one second of delay time which allows it to be a longer delay than our other delay pedals. From noon and back is 500 milliseconds to zero, which has its own character. From 500 milliseconds to one second of delay time, it’s an entirely different beast. Dial them in for shorter delay times where they really excel and add loads of atmosphere and vibes. Push them further for rhythmic delays that are perfect for strumming and adding extra ambiance for your riffs. And the tap tempo is truly precise and responsive so you can lock in your rate quickly within the first revolutions.\u003cli\u003eTwo global operating modes which are indicated by the color of the Save\/Recall switch     \u003c\/li\u003eGreen = Live Mode\u003cbr\u003eRed = Preset Mode\u003cul\u003e\n\u003cli\u003eBuffered bypass featuring Flexi-Switch Technology with tails \u003c\/li\u003e\n\u003cli\u003eLifetime warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":45500170993917,"sku":"810019914409","price":199.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_3f445ec6-4f3f-4ae6-b398-a3aee9bd892b.jpg?v=1768501709"},{"product_id":"earthquaker-devices-gary-automatic-pulse-width-modulation-fuzz-and-dynamic-natural-overdrive","title":"EarthQuaker Devices Gary Automatic Pulse Width Modulation Fuzz and Dynamic Natural Overdrive","description":"EarthQuaker Devices is proud to introduce you to your new best bud, Gary. This little big guy was dreamt up by the one and only Lee Kiernan from the crushing and most necessary band, Idles! Gary started as a simple request to create a compact version of the now discontinued Gray Channel, which was a mainstay on Lee’s board and a big part of his main drive tone. This was all fine and good, and sounded quite sick, but Gary was demanding that we look deeper and explore his dark side a little more, Gary after dark, Saturday night Gary. So, we sat him down and began the trek of figuring old Gare-Bear out once and for all. The result is a real exercise in light and dark; smooth to shredded and everything in between. Gary’s right brain consists of a dynamic and destructive fuzz that is both domineering and interactive. It is a ripping fuzz tone with an envelope-controlled variable pulse width and enough volume to blow everything up. This nasty little fuzz turns the signal into a square wave and allows you to dynamically adjust the duty cycle with pick attack. Yes! Controls the sensitivity of the envelope. When this is all the way down you will get an unadulterated thick and heavy square wave fuzz tone that will sustain for days and go dead quiet when you stop playing. As you increase the Yes! control, the envelope becomes more interactive, and the pulse width narrows the harder you hit it. As the pulse width narrows, the tone becomes more nasal and biting until it gets so narrow that Gary goes to his dark place and disappears completely. In other words, with higher sensitivity settings, the sound will disappear entirely and come cruising back to Gary’s big guy tone. With proper playing dynamics, this creates a very cool effect that can sound like an exploding amp coming in and out of life, blown through a phase shifter. This effect can also be controlled with an expression pedal for manual operation or for finding just the right pulse width to cut through the mix for a set-and-forget operation. When using an expression pedal, Yes! operates in conjunction with the expression pedal to set the peak of the sweep. Set Yes! to the desired stopping point and express yourself as you please without worry of taking Gary over the edge! Oosh acts as the master volume for Gary’s nasty side. There is an insane amount of volume on tap so use this control wisely! Gary’s left brain displays his softer side. This is a simple and natural sounding overdrive that keeps your tone lively and drives your amp crazy. This side is based on the green channel of our Gray Channel, which is our take on the classic little yellow overdrive that started it all for us. Lee used this pedal with the clipping switch permanently set to the middle position, which removes all the diodes from the circuit, producing a full-bodied, cutting opamp distortion with plenty of volume on tap. We have reproduced that tone here with exacting precision. Go sets the opamp drive and can range from a simple full-range clean boost all the way up to a smooth and natural distortion. In conjunction with That’s It, which is the master volume for the drive side, you can use Gary’s softer side as a clean boost to push your amp into overdrive or turn up Go and use all of Gary’s internal magic to create the finely tuned dirt you desire. Gary’s signal path is fuzz into overdrive for total tonal integrity and cannot be changed. This is where Gary put his foot down, and we obliged. Each and every Gary was softly brought to life by the delicate hands of EarthQuaker Devices in the elegantly unrefined canal-front city of Akron, Ohio USA.","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":45754630209789,"sku":"810019914478","price":269.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_ec050bcc-1abe-4f7b-8677-f0b7af482f68.jpg?v=1768501716"},{"product_id":"earthquaker-devices-flexi-loops","title":"EarthQuaker Devices Flexi Loops Silent Relay-based, True Bypass Switching Device","description":"This silent relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching. For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass. For momentary operation, hold the footswitch down for as long as you’d like to use the effect. Once you release the switch the effect will be bypassed. Using an effect loop switcher on your pedalboard allows you to easily remove all your effects from the signal path creating a path of least resistance to maintain full tonal integrity when they aren’t in use. Using a dual effect loop with Flexi-Switch Technology allows you to create two distinct loops of effects and then introduce or remove them all on the fly with ease! You aren’t just limited to using the Flexi Loops as a loop switcher! You can use one channel as a tuner out\/mute or even a plain old mute. Use the sends to run out to different sources and easily select between them! The Flexi Loops uses high quality, soft touch momentary switches for durability and quick action to ensure a lifetime of switching enjoyment. This device is entirely passive and there is no circuitry in the signal path but it will require power for the relays to pass signal.","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":45754661601533,"sku":"810019914522","price":175.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_9db2306a-bcf4-4215-bab6-bbc74326a8e9.jpg?v=1768501717"},{"product_id":"earthquaker-devices-buffer-splitter","title":"EarthQuaker Devices Buffer\/Splitter","description":"A buffer is an important tool to combat tone loss with long cable runs or in signal chains running lots of true bypass pedals. The EarthQuaker Devices Buffer\/Splitter uses the same great high 1 Mohm input impedance and low 100 ohm output impedance found in our Buffer\/Splitter to restore your tonal integrity! This buffer is designed to both maintain high end and give your low end a subtle, yet powerful, little kick for some added dimension! What’s better than a single output buffer? A dual output buffer, that’s what! Use the EarthQuaker Devices Buffer\/Splitter to split your signal into two and send them anywhere you like! Two amps! Turn a mono signal into a stereo signal! Send one output to your effects and use the other as a dry-through! Remove your tuner from the signal path… you get the idea!","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":45754668253437,"sku":"810019914423","price":119.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0644\/7100\/7485\/files\/medium_7c65102c-36b3-48bc-bd50-2033572f229f.jpg?v=1768501718"}],"url":"https:\/\/pedalzoo.com\/en-us\/collections\/earthquaker-devices.oembed","provider":"Pedalzoo","version":"1.0","type":"link"}