Eventide MicroPitch Delay Pedal

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About This Item

Eventide MicroPitch Delay applies fine detuning and short delays to a stereo pair, the studio technique that makes a single performance sound wide and glued. Positive and Negative Envelope modulation sources tie the effect to your dynamics, and major and minor third intervals are available when you want a real harmony.

The MicroPitch measures 10.8 x 10.2 x 4.3 cm and runs on a 9V DC supply drawing up to 300 mA. It suits electric guitar, bass, vocals and other instruments.

Description

MicroPitch is the trick behind countless records that sound bigger than the take: shift one side a few cents sharp, the other a few cents flat, add a handful of milliseconds of delay, and a single guitar becomes a wide, glued stereo image.

Which Eventide pitch pedal is this?

MicroPitch is the specialist: fine detuning plus short delay for width and thickening, not transposition. If you want harmonies, whammy-style dive bombs, diatonic shifting and octave work, that is the PitchFactor. If you want the detuning as one voice inside a chorus pedal, TriceraChorus carries a MicroPitch section alongside three chorus voices. The H9 Harmonizer Gen 2 includes MicroPitch among 74 or more algorithms if you would rather have one box do everything.

Why guitarists choose the MicroPitch

  • Fine detuning across a stereo pair is the fastest way to widen a mono source without the obvious wobble of a chorus.
  • A dedicated delay per side lets you go from a tight doubling to a slapback-length spread, which changes the effect from glue to a distinct second voice.
  • Positive and Negative Envelope modulation sources make the detune respond to your picking dynamics instead of running at a fixed rate.
  • Major and minor third intervals are available when you want an actual harmony rather than a few cents of shift.
  • Eventide voices it for guitar, vocals, keyboards, drums, strings, brass and winds, so it earns a place in a studio as well as on a board.
  • Five onboard presets and MIDI recall mean a subtle rhythm thickener and a wide lead sound live in the same pedal.

Controls and switches

  • PITCH A / PITCH B Set the detune amount for each side, from a few cents to major and minor third intervals.
  • DELAY A / DELAY B Independent delay for each pitch voice, from doubling lengths up to a clear repeat.
  • FEEDBACK Feeds the delayed voices back for a thicker, more sustained spread.
  • MIX Balances the detuned voices against the dry signal.
  • TONE / MOD Shapes the top end of the effect and sets the modulation depth and source, including the envelope options.
  • Active footswitch Engages the effect; dual-action, so it works latching or momentary.
  • Guitar/Line switch Rear-panel level matching for guitar, synth, an effects loop or an audio interface.
  • Mono/Stereo switch Tells the TRS input whether to read a mono tip signal or a true stereo tip-and-ring pair.

Power and pedalboard compatibility

Runs on a 9V DC center-negative supply through a 5.5 mm / 2.1 mm barrel plug and draws up to 300 mA, so it needs an isolated 300 mA (or higher) output rather than a shared daisy chain. Eventide includes a universal power supply with US, EU, UK, JP and AU adapters. Power comes from the DC jack only; Eventide does not publish battery operation for this pedal. Bypass is selectable between Buffered, Relay, DSP+FX and Kill dry, so you can run relay (true) bypass at the front of a board or keep the buffer and effect tails alive inside an amp loop. A rear Guitar/Line level switch matches the pedal to a guitar, a synth, an effects loop or an audio interface, and a Mono/Stereo switch sets how the TRS input is read.

Technical specifications

Type Stereo micro pitch shifting with delay
Dimensions 10.8 x 10.2 x 4.3 cm (L x W x H)
Algorithms and presets Micro pitch shifting with delay; five onboard presets, more over MIDI
Audio I/O Input: 1/4" TRS (mono on tip, stereo on tip and ring). Out 1 and Out 2: 1/4" TS.
Control connections EXP: 1/4" TRS for an expression pedal, an aux switch or MIDI I/O. Mini USB for software updates and MIDI. No 5-pin DIN MIDI and no Bluetooth on this model.
Maximum input level +8 dBu (Guitar) / +14 dBu (Line)
Recommended load impedance 10 kOhm
Weight 480 g
Input impedance 700 kOhm
Output impedance 220 Ohm
Current draw Up to 300 mA
Power 9V DC center negative, 5.5 mm / 2.1 mm barrel, up to 300 mA; supply included
Signal path Digital
Bypass Selectable; relay (true) bypass available
Warranty One year

Reference: the official Eventide MicroPitch page and the official manual.

FAQ

What is micro pitch shifting? Very small pitch changes, typically a few cents, applied to duplicated copies of your signal. Panned apart and delayed slightly, they read as width and thickness rather than as a pitch effect.

Can MicroPitch do harmonies? It offers major and minor third intervals, so simple harmony is possible, but diatonic harmonising and larger transpositions are PitchFactor territory.

Does it work on vocals? Yes. Eventide lists guitar, vocals, keyboards, drums, strings, brass and winds. Set the rear switch to Line when feeding it from a preamp or interface.

Does MicroPitch have tap tempo? Yes, through an aux switch connected to the EXP jack and assigned to Tap Tempo. There is no dedicated tap footswitch on the pedal itself.

Will a daisy chain power it? Not reliably. It draws up to 300 mA at 9V center negative, so use an isolated output rated 300 mA or more.

How do I get MIDI into it? Over the 1/4" TRS EXP jack with a MIDI-to-TRS cable or converter box, or over Mini USB. There is no 5-pin DIN socket on this pedal.

Video Review: Eventide MicroPitch Delay Pedal

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