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Sale priceCAD$542.99
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About This Item

  • 100 Presets, including artist presets
  • Studio-quality sound
  • Instant program change
  • Real-time control with 10 knobs, MIDI or expression pedal
  • Tap Tempo and MIDI Clock Sync/Generate
  • True analog bypass
  • Rugged cast metal construction
  • Metal footswitches for instant preset access
  • Mono or stereo operation
  • Guitar or line level inputs and outputs
  • Programmable HotSwitch

Description

12 Unique Reverb Effects


The Space reverb pedal offers a variety of spatial effects that raise the bar for stage and studio. From your standard Halls, Rooms, and Plates to the otherworldly Blackhole®, MangledVerb and Shimmer, Space has got you covered. Fun Fact: The pedal features infinite reverb options plus, the HotSwitch allows for instant parameter change with the press of a button.



Reverb and Beyond


Space includes 12 Reverb and Delay combination effects:



  • Room

  • Plate

  • Spring

  • Hall

  • Blackhole™

  • Shimmer

  • Reverse Reverb

  • ModEchoVerb

  • DualVerb

  • MangledVerb™

  • DynaVerb

  • TremoloVerb


 


Video Review: Eventide Space Reverb and Beyond

Brand Eventide
Weight (kg) 1.0 kg
Width (cm) 19.0
Length (cm) 12.2
Height (cm) 5.4
Battery No
Expression Yes
Jacks position on top Yes
Switching presets Yes
Power Supply 9 Volt
Tap tempo Yes
Bypass True bypass
Digital or Analog Digital
Current Draw, mA 500
Input Impedance, kΩ 500
Output Impedance, Ω 470
Best For Electric Guitars
Bass Guitars
Acoustic Guitars
Vocals
Other Instruments

Customer Reviews

Based on 12 reviews
92%
(11)
8%
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J
J.Zamudio

Primeramente,la compre a muy buen precio y llego en el tiempo acordado.

En cuanto al pedal,se nota en el diseño y materiales lo antiguo que es pero en cuanto al sonido ,si estas aquí no creo que necesites que te lo diga pero sigue siendo un muy buen candidato.
Recomiendo esperar bajones de precio.

No te defraudara y lo uso bastante en sintetizadores también.

D
Darren Witwer

The features, sound quality and variety of algorithms are very impressive. Stereo inputs and outputs were a top priority for my purchase. I have a Kemper Profiler, which contains probably the next best reverb engine out there, so I want to make some comparisons between the two approaches to digital reverb, and discuss the Strymon Big Sky, which is the only comparable reverb pedal. I consider myself very adept at using and assigning complex reverb programs and expression pedal with the Kemper. I bought the Eventide Space as a reverb for my live mixing board, and for recording (as a supplement to the Kemper). There is a depth and warmth in the Eventide that in my opinion is better than the Kemper, and definitely better than the Big Sky. However, even with the 11 parameter knobs and expression pedal, the Kemper has even more virtual knobs, and ALL of them can be connected to the expression pedal. Output level on the expression pedal is not an option on the Eventide, so if you find the swelling reverb gets louder than you want as you increase the expression pedal, you can't program the output to drop as mix increases. This was a minor weakness, given the amazing sound. My main issue with the device is that the H9 software is a bit buggy, and the way it saves and organizes the settings programs is still bewildering, so user friendliness is considerably behind the Kemper. The large display is really nice, and makes for a much better user experience than the Strymon. Expression pedal programming without the H9 software is also glitchy (even with latest firmware and H9 software).
So, after almost a month of using and programming it, here is my summary: would I buy it again, knowing what I know? Yes, and I am very glad I got it instead of the Strymon Big Sky. I can lose myself for hours in these sounds.
Who would like this over the Strymon? People not afraid to turn lots of knobs, and psychedelic music lovers. This is not a beginner's reverb unit. Also, if you want a range from traditional sounds to extreme ambient and noise textures, this is the pedal for you.
Is it better than the current (July 2020) reverb algorithms in the Kemper? That's debatable given the quality and sophistication of the Kemper algorithms now. But, I have to say that I think so, and find myself constantly adding it to my Kemper now. I really like the warm sounds. The expression pedal interface is inferior to the Kemper, but still a great tool.
Who won't like this pedal? Anyone who wants a simple, out-of-the-box, easy to use pedal. The Strymon is probably a better choice, but the Eventide Space just plain outperforms it.
The bigger question, in my opinion is: would you rather have the compact, more flexible and expensive H9 harmonizer without all the knobs, or this larger, knob monster for live tweaking? I chose the Space because I see this as an inexpensive alternative to a Lexicon rackmount studio reverb, and since I have and love the Kemper, I don't really see the virtually knobless H9 Harmonizer as a useful device for me.

I
Internet Person

The Eventide is a secret sauce. It's like honey dripping into your ears. It works well with synths (there's a line switch for input and output). It's pricey, but I've no regrets.

J
Jeremy Barber

good pedal

C
Colin de Saint Victor

I've owned so many different reverbs, and this one is my favorite. It excels in huge ambient and spacey sounds. It will be the primary reverb unit on my board for the foreseeable future.

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